A Quote by Jeremy Gilley

I think there's a number of pillars to success. One is you've got to have a great idea. The other is you've got to have a constituency, you've got to have finance, and you've got to be able to raise awareness.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
Overnight success just doesn't happen. You've got to put your time in ... you're up and down, all of a sudden, it just clicks. And I think that's what's happened to me since I got to Montreal. And I'm proud of the things we've been able to accomplish ... we've all made each other great.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
What Brighton's got is a major sea port on either side, good for importing drugs, great for exporting cash, stolen cars, stolen antiques. It's got the largest number of antique shops in the UK, so it's a great place to fence stolen goods. It's got tremendous communication: you've got the sea ports, you've got the channel tunnel, you've got Gatwick Airport 25 minutes away, and London's 50 minutes away by train. So all these escape routes... Which is what villains like.
You got to have two things to win. You got to have brains and you got to have balls. Now you've got too much of one and not enough of the other.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got The Devil Wears Prada, and its why I even got in the door for Mad Men.
I think first and foremost, you've got to be able to run the football to be successful in college football. Some teams have thrown the ball 60 times a game and had success doing that. But I think you've got to be able to run the football to have success.
If you want to do this, you've got to last. You've got to be well enough to carry your ideas. I'm not saying I've got great ideas, but if I do I need to be able to deliver them.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
You know, we've got to be able to understand that in order to curb their behavior, we've got to be accountable as parents in how we raise our children.
I think, fortunately and unfortunately, I've got a lot of experience in playing for teams that have been in this situation where we lost a few games and we've got to stay the course, we've got to right the ship, and we've got to do all of that stuff.
The old shepherd had died, or got drunk, or got rats, or got the sack, or a legacy, or got sane, or chucked it, or got lost, or found, or a wife, or had cut his throat, or hanged himself, or got into Parliament or the peerage anyway, anything had happened to him that can happen to an old shepherd or any other man in the bush, and he wasn't there.
You want to win races? You've got to get out there, and you've got to be vocal, and you've got to work. When you win, you've got to actually represent. You've got to be willing to fight your party.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
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