A Quote by Jeremy Hardy

You can sometimes sneak a political joke in, which is sometimes the most effective place for a political joke - when it's not expected. It's just the most fun thing to do.
It`s the nature of cable news that we [TV hosts] do a lot of clipping and quoting of other broadcasts and outlets, sometimes to make a narrative point, sometimes to make a political one, and sometimes just to make a joke.
Most of the time, the songs have jokes in them, little sarcastic things, or purposely kitsch or something. So that's going along with a story, like I do in life, just talking to myself and making fun of stuff and laughing at stuff that's serious. And sometimes it's a good idea to put the laughing into the songs. Sometimes it's not. Sometimes it's all right just to be serious. But most of the songs have some kind of joke in them.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Contrary to conventional military and game theory, the most effective offense is sometimes a direct attack against your political opponent's greatest strength - not his weaknesses - to place him immediately on the defensive.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.
You can either just have fun with the joke or you can have fun with the joke and think about the implication of it. It's totally up to the listener.
It's important to remember that life is a joke, and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
It's important to remember that life is a joke and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
When you write something, at first you might feel very defensive and protective of every single thing, but after a while, you just see what works and what doesn't. Sometimes you do test screenings, and an audience tells you that, or sometimes you eventually just go, 'Let's cut the joke out.'
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
To know how to structure the joke perfectly so that the narrative information is given in the right tempo, in just the right dose - it sometimes takes quite a lot of work. It seems easy when you hear the joke.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
It's very interesting, the joke comes first and then the wording comes within five seconds, maybe ten seconds. My thing is to get the joke across in as few words as possible. However, sometimes a word that's not really needed does help the rhythm of it. It's a gut feeling.
I sometimes joke - but the joke is not so wrong - that after my time in East Germany, I could either afford therapy to work through what happened under the Communists or move to New York.
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