A Quote by Jeremy Hardy

The thing that interests me most about family history is the gap between the things we think we know about our families and the realities. — © Jeremy Hardy
The thing that interests me most about family history is the gap between the things we think we know about our families and the realities.
I think people know very little, really, about the court, how it works and its history. And both of those things are important in our country, but they're not things that most citizens know much about.
If you're paying attention to human interactions - to the gap between who we are and who we think we are, or the gap between what happened and what we remember - you're going to end up thinking (obliquely or otherwise) about what it means to act ethically, and I think that's all to the good.
I don't think anything surprised me. It was very hard for me, this story, The Snack, as a father. I have family in the army in Israel, I know families that lose their children, and I think this is the most hard thing, is faith. Because what happens after death is always belief, it's always something that you don't have any answers about, and I think the movie helps you to understand that death is part of the life. It makes it more natural.
Family is funny, and so it was not an unnatural thing for me, growing up, not to know anything about my dad or about the Vance side of our family.
My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."
The thing that most interests me about writing - there are lots of things, but the thing I can't do without - is the hit of happiness a lovely sentence delivers.
The gap between ideals and actualities, between dreams and achievements, the gap that can spur strong men to increased exertions, but can break the spirit of others -- this gap is the most conspicuous, continuous land mark in American history. It is conspicuous and continuous not because Americans achieve little, but because they dream grandly. The gap is a standing reproach to Americans; but it marks them off as a special and singularly admirable community among the world's peoples.
I think it's good to have your own selfish interests, whether it's liking chocolate ice cream or wanting a new car. It's just human nature is that. We have our own selfish interests. I think we have interests that go beyond our self to friends, to family first, maybe to friends, maybe to community. I think that's important to think about those spheres of influence that radiate from you.
I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
I guess I'm interested in the behind-the-surface feelings of the human condition, in my own way. I was always struck by the gap - at least in the books I was reading - between what people tell stories about and what I actually feel. I started thinking about a gap between fantasy and reality.
Celebrities do look different in real life from our images of them - there is a big gap. And that is what my work is about: the gap between the image and the celebrity themselves.
My father is a gypsy. He traveled in caravans and was branded by the Ku Klux Klan. You know I have a history about race in my family that has very much to do with the other things that you name about poverty, about class, about access - or lack of it.
The thing that really interests me is characters facing challenges that are emblematic of the things they are most frightened of about themselves.
Whitney Houston came in. Someone dared me to do "the Gap act" on her. You know, the Gap act. So I went up to her like I didn't know who she was, and I said, 'Hi, I just wanted to let you know about our sale items and make sure to check out our new colors'. She looked at me like I was crazy.
I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
You know, I think I'm more of a micro-person, so to me, the context and the framework of trying to do what you love and feel passionate about, in supporting your family in that way, is the most important thing to me.
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