I'm not as good a singer as I am an actor. So that's why I - the stories I like so much is because I've been a story teller for a long time. I started as a singer and found out I didn't have a very good voice. That's the reason I went into acting.
People are more willing to accept a singer as an actor, than an actor as a singer.
I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.
She was twenty and had come to realize that, though she had a voice, she wasn't a singer; that to endure and embrace the life of a singer demands a whole lot more than a voice.
Whitney Houston's voice was the very first voice I fell in love with. She was the voice that made me want to become a singer.
I trained as a singer before I was an actor. I was a kid singer, I went to theater and choir school, and then I got music scholarships throughout my education. And that's what I was going to do. And then I took a left turn and went to drama school and became an actor.
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
I came to New York after Bennington College and trained as a singer. I lived on the West Side and I went to my voice lessons. That was a wonderful part of my life and I really thought that I could go somewhere with my voice.
Before I was 14, I wanted to be a singer, an actor, or a hockey player. By 15, I knew I was going to be a singer.
I'm not an actor, and I'll never call myself an actor. I've never thought of it as part of my life. I'll always be a singer, in my eyes.
I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.
I was a black singer with a white voice, a perfect pop voice.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
I think, being a male singer, I always hate another great male singer's voice before I can love it, unless it's just really far from what I do.
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
The thing is that I'm an actor first, and in 'Once,' I was able to be a musician and a singer as well as an actor.