A Quote by Jeremy Irons
I love being part of a group who tells stories, whether it be in the theater or in cinema, and I love creating imaginary worlds rather as children do, but I never had a burning desire to act, but it just sort of suited me.
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Being a dad is like - there's nothing more important. So the exploration of that in stories, with parents and fathers and brothers, siblings, I just think that you're always in the terrain of love, whether it's absence of love or the giving of love or the desire for love.
I love directing. I love creating things that I don't necessarily even have to be in. I like creating worlds. So I'm getting into writing movies and selling movies and television shows and creating worlds that then get to live beyond me.
At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me and I started to fall in love with characters who had that burning desire inside of them, this hope.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
The love of a child is different from any other type of love on the planet. And being loved by your children is a love that is immense. I'm always so overwhelmed by how much my children love me. I think the best part of being a parent is feeling the love of a child.
The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community.
Frankly, I never had any intense desire to go to India. I know that sounds a bit strange, but it just never was someplace I had a burning desire to visit.
To me, the thing love and cinema have in common is that they are about seeing. The greatest act of love you can give to anyone is to see them exactly as they are. That's the greatest act of love because you wash away imperfections.
I love this idea of expanding the game universe. It has been limited. I guess probably because the genre was so successful, and the people who were creating those games made so much money at it they just had no desire to sort of open it up.
I love telling stories, I love for someone to see something, and go, "Oh, wow, I've never thought of it that way." Because I've had those moments in my life, where I go, "Oh, my God, I've never looked or approached this topic and had that insight or had that idea come to mind," to where it changes your life, it changes the way you see certain things. I love that. I think that's such a cool thing that we get to do by sharing stories, whether they're fiction or nonfiction.
I hope that when children read my stories that they evoke images for children. I four stories can help children use their own imaginations and lead them to act the stories out or to embark on related research, they will learn more and learn to love reading more.
I believe that You, O Jesus, are in the most holy Sacrament. I love You and desire You. Come into my heart. I embrace You. Oh, never leave me. May the burning and most sweet power of Your love, O Lord Jesus Christ, I beseech You, absorb my mind that I may die through love of Your love, Who were graciously pleased to die through love of my love.
I still love the layers of cinema whether it's 35mm or 16mm or 8mm, super 8 which I love. I love the grain. If I had my druthers I'd film everything in kodachrome.
I never had a burning desire to have children. But then I met Nick, and I thought, 'This is the only person I'd do this with.' So we tried, but I was a little long in the tooth for that sort of thing. But we didn't turn it into a soap opera. We tried for about a year or so, and it didn't happen and took that to mean it wasn't meant to be.
Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.
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