A Quote by Jeremy Irons
I succeeded on sort of chutzpah and charm. No technique at all, didn't know what I was doing, but it worked and the character suited me.
Related Quotes
Charm is an intangible. Chutzpah, charm, charisma, that kind of thing, you can't buy it. You either have it or you don't.
We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
I started doing sculpture rather than painting. I was halfway through my degree, and I hadn't really done any introduction courses in sculpture... I'd missed all the technical stuff. I didn't really know how to weld or forge or carve or model. I'd sort of evaded all those technique classes, so I had no technique.
You know what the left has succeeded in doing, they have succeeded, in terms of the vernacular, the lexicon, they've redefined the word "immigration" and to tell everyone we're anti-immigrant.
I grew up without a television, so when I went to L.A., it was sort of, you know, a lot to take in, but it actually suited me more than where I was from, so I sort of had that 'home away from home' feeling, and L.A. is definitely home now.
As an athlete, success is not just about winning; it is about working hard and giving it all you have. I have always taken one match at a time and worked hard; when I succeeded, I worked further on the aspects of the game which worked for me; when I failed, I listed out my weaknesses and worked on them.
The best thing about acting is when you're playing a scene and you actually become your character and lose yourself in that moment. That's when you know you've been succeeded at what you've worked very hard to accomplish in your profession. Those are the truly thrilling moments.
I went into academia thinking that there'd be constant reciprocity between my scholarship and my creative work but found that doing one always turned my mind into the sort of tool that was badly suited to doing the other.
I have a black belt in chutzpah. I was born with it. Some people, like some of the women I know, have a black belt in spending. They were born with that. But what they gave me was a black belt in chutzpah.
Nothing important was ever accomplished without chutzpah. Columbus had chutzpah. The signers of the Declaration of Independence had chutzpah. Don't ever aim doubt at yourself. Laugh at yourself, but don't doubt yourself.
As I talk about strengths and weaknesses in academic economics, one interesting fact you are entitled to know is that I never took a course in economics. And with this striking lack of credentials, you may wonder why I have the chutzpah to be up here giving this talk. The answer is I have a black belt in chutzpah. I was born with it.
It's a sort of bloom on a woman. If you have it, you don't need to have anything else, and if you don't have it, it doesn't much matter what else you have. Some women, the few, have charm for all; and most have charm for one. But some have charm for none.
Technique is the basis of every pursuit. If you're a sportsman or you're a singer or a swimmer, well that comes under sport but you have to develop a basic technique to know what you're doing at any given time.
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going.
I have no problem doing the same type of roles. But those who understand acting technique, and watched me in 'Mardaani 2,' might have observed the nuances, variations I can bring into a character.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor