A Quote by Jeremy Irons

I love touching. I always touch people. — © Jeremy Irons
I love touching. I always touch people.
When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
Lynyrd Skynyrd has always been a bunch of rowdy, crazy people, but we love our fans, and that's what the music is all about: touching them. Touching them touches us.
Just touching that old tree was truly moving to me because when you touch these trees, you have such a sense of the passage of time, of history. It's like you're touching the essence, the very substance of life.
Art is a funny thing. It's a communicative medium. It really is, and it works outside of literature, the movies, stage, it has its own realm. It's like when you say "The Arts," those are all the arts, dance, theater, ballet. So within that set of areas of expression, we have visual art and it is visual and it's about looking at something and seeing it in the light with our eyes, maybe touching it or not touching it, or wanting to touch it, not being able to touch it.
My mother would tell me that the shortest cut to purification after the unholy touch was to cancel the touch by touching any Mussalman passing by.
When I touch that flower, I am not merely touching that flower. I am touching infinity. That little flower existed long before there were human beings on this earth. It will continue to exist for thousands, yes, millions of years to come.
Touch. It is touch that is the deadliest enemy of chastity, loyalty, monogamy, gentility with its codes and conventions and restraints. By touch we are betrayed and betray others ... an accidental brushing of shoulders or touching of hands ... hands laid on shoulders in a gesture of comfort that lies like a thief, that takes, not gives, that wants, not offers, that awakes, not pacifies. When one flesh is waiting, there is electricity in the merest contact.
I was all about touching people and influencing people, I always been that type of person. I was the one teaching people things, I just always had a way with my words and I always spoke with substance.
I'm always in a hotel room, and I spend a good portion of my day setting it up so it's comfortable for me. Whether that means making paths out of towels so I don't touch the carpet or removing the comforters or just not touching things. Even sitting on a plane with a bunch of other people - it's really hard for me.
You’re touching me,” I chided him. He caressed my back, sliding his hand down, hitting every sensitive point I hadn’t even known I had. “No, this is touching you. That was just accidental contact.” “Oh? Good to know. If you touch me again and I break your arm off, you can be sure it will be completely accidental.
Keep in touch without touching
This Girl with nothing but her own strength and a desire to be free. With nothing but a beating heart that is scared to be alone. With nothing but clear blue eyes that see through me and understand me. With nothing but open arms ready to receive me. To stand by me. To walk with me. To love me. I love her. Lilly. The Girl with nothing and everything. Lilly. I love her. A tear appears. She smiles. She leans forward kisses my lips softly kisses me and as our lips touch barely touch she whispers. I love you too, James. Our lips barely touching she whispers. I love you. Whispers. I love you.
In the absence of touching and being touched, people of all ages can sicken and grow touched starved. Touch seems to be as essential as sunlight.
In Tantrism, the first thing is having the experience of touch, of profound contact with things, with the universe, without mental commotion. Everything begins there: touching the universe deeply. When you touch deeply, you no longer need to let go. That occurs naturally.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
There is relationship between sight and touch, something about eyes being able to see through the fingers touching the clay, about fingers being able to feel what the eyes are seeing without the fingers actually touching it.
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