A Quote by Jeremy Irons
So I continued through my next school, which takes me up to the age of 17, moving from the bottom stream of one year into the bottom stream of the next year, all the way through. I showed other talents which gave me self-respect, which is fine.
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I was born and grew up in Phoenix, and I left there when I was 17 to go to Interlochen Arts Academy - a boarding school in Michigan - for a year, and then I went to college for a year at The Boston Conservatory and landed the 'Spring Awakening' tour midway through my freshman year, which was pretty cool.
Wasn’t hitting bottom the thing you had to do to knock some sense into yourself? Wasn’t hitting bottom the thing that showed you which way was up?
Have you never observed that children will sometimes, of a sudden, give utterance to ideas which makes us wonder how they got possession of them? Which presuppose a long series of other ideas and secret self-communings? Which break forth like a full stream out of the earth, an infallible sign that the stream was not produced in a moment from a few raindrops, but had long been flowing concealed beneath the ground?
The idea of the self interests me a great deal. What is the self? And finding yourself, and which self? In a way, we're more than one self, but you somehow try to get to a rock bottom self.
Next week, or next month, or next year I will kill myself. But I might as well last out my month's rent, which has been paid up.
Let us settle ourselves, and work and wedge our feet downwards through the mud and slush of opinion and tradition, and pride and prejudice, appearance and delusion, through the alluvium which covers the globe, through poetry and philosophy and religion, through church and state, through Paris and London, through New York and Boston and Concord, till we come to a hard bottom that rocks in place which we can call reality and say, "This is and no mistake.
I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
In principle the first thing on the stream would be my birth certificate, a little electronic version of that, my parents would put my school records, health records, whatever of their child onto the stream. And the stream continues to flow forward through time.
Its about cherishing the woodland at the bottom of your garden or the stream that runs through it. It affects every aspect of life.
It is not merely the brevity by which the haiku isolates a particular group of phenomena from all the rest; nor its suggestiveness, through which it reveals a whole world of experience. It is not only in its remarkable use of the season word, by which it gives us a feeling of a quarter of the year; nor its faint all-pervading humour. Its peculiar quality is its self-effacing, self-annihilative nature, by which it enables us, more than any other form of literature, to grasp the thing-in-itself.
Music is like a river or stream that has come down to us through time, bringing nurture to man's soul. From the past masters, this music flowed to my father and through him to me. I want to keep this stream flowing. I don't want it to die. It must spread all over the world.
My second freshman year of college, that's year two of seven, my father got very sick and though he was going to die. He gave me a Rolex, a bottom of the line one. I wore that watch everyday. He didn't die. On my 40th birthday, he gave me a very nice Rolex that belonged to him. That's the one thing we connect on: the watch.
What's the first thing I remember about the University of New Brunswick? That's easy. The year before I had gone to Mount St. Vincent in Halifax, which was an all girls' school. That didn't really work out for me. But at UNB, there were six or seven men for every woman, which suited me just fine.
I attended schools in Seattle through the University of Washington, from which I was graduated in 1931. I spent the next year at Northwestern University.
Some of us are moving into the sixth dimension now. And with the new energies coming into the new year, there will be even a seventh dimensional experience opening up for some of us, because we're going to go through such a transition within the universal community in the next year.
I didn't start acting until I was 27, and that was just through Gary Shandling and Ben Stiller who I knew through stand-up. And they both in the same year offered me parts on their programs which was unbelievably lucky and fortuitous.
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