A Quote by Jeremy Irons

Now in my theater training I showed no aptitude at all. — © Jeremy Irons
Now in my theater training I showed no aptitude at all.
The president of a TV network generously agreed to take his company's aptitude test, a test required of all the personnel. He did badly. As a result he was in a sullen mood for the rest of the day. When he got home that night, his wife asked why he looked so grouchy. I took the company's aptitude test this morning. What did it show? asked the wife. It showed, boomed the executive, that such tests are idiotic. That's what it showed.
I've always said that theater was where I began, so everything I do now has a bit of my theater background in it. It was my training.
I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
I did a lot of children's theater in Miami Shores. My base musical theater training happened there.
I went for officer training to be a fighter pilot, but never got past the aptitude test. So I decided to put on makeup and ponce about in front of a camera.
I hadn't trained to be a coach. That takes great training. Being an assistant under a Coach Lombardi or a Tom Landry or whoever, that prepares you to do a better job when you become a coach. I hadn't received that training. It showed.
Tris: Wait. So you have no idea what my aptitude is? Tori: Yes and No. My conclusion is that you display equal aptitude for Abnegation, Dauntless and Erudite. People who get this kind of result are..are called...Divergent.
Running taught me valuable lessons. In cross-country competition, training counted more than intrinsic ability, and I could compensate for a lack of natural aptitude with diligence and discipline. I applied this in everything I did.
There are actually no political aspirations. I think you need to have the right attitude and aptitude for it. I don't think I have the right aptitude for it. I think it is unfair to push somebody in that direction just because my father happens to be a politician.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
Theater school is essentially like training. It's boot camp. It's like an academy to put you through all these different situations that sometimes are more extreme than what you'll come across in the field. But now you're emotionally prepared for it so that when it does happen, it's not a big surprise.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
When I first started training to be a wrestler I was also trying my hand at acting. I was trying to get into the Chicago theater scene. It was tougher to get into the theater scene than I thought and I almost gave wrestling a try as an afterthought.
Honestly, I never really thought I'd be a comedian. But I did take an aptitude test in seventh grade - and this is 100 percent true - I took an aptitude test in seventh grade, and it said in my best profession was a clown or a mime.
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