A Quote by Jeremy Irvine
The Railway Man was a particularly intense and immersive experience. I definitely got carried away. I lost about 35 pounds. I really was incredibly skinny and also quite unwell while we were filming. It wasn't very healthy. I don't recommend it. But then also doing the torture scenes, the water boarding stuff, there wasn't really any other way just to do it really.
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I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.
I feel like it's me singing back to myself as a younger person and saying have confidence in being a bit different. I really felt I didn't fit in. My dad was from the Caribbean, my mum was English, we lived in quite a white area but we were quite poor, but also quite brainy, and I was a really, really skinny child so I felt a bit awkward about all these things.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
Ive definitely got a sense of not being very good at stuff. Its sort of absurd because, you know, Ive done really quite well for myself, but I still really doubt myself. Its just the way I am.
I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff [Man Booker Prize] very much. I think part of it is I can see myself wondering who's doing what and getting jealous, and none of that's healthy for me. So I just don't really.
Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.
It really wasn't fun any more, everything was too business-oriented. I just remember the old days when the band was really tight together, playing Eagle poker and just having a really good time while we were doing it. Towards the end, it just got too cut-throat.
Making 'The Invitation' and waiting to make it on my terms and getting final cut and doing it the way I needed to do it was incredibly challenging, but it has really been so great for me. I'm so thankful that that's happened, that I got to work with actors I really like and have just such a good experience in delving into that story.
I ain't never been in no college with famous people. I was a drifter for a while. I just was desperate to fit in with a group. Really, I was swimming. I was lost, treading water, trying to find my way. I wanted to play football. It didn't work out. I didn't really know what I wanted until I found acting in a theater department, and then everything just fell into place, and I had a passion about something. Then, I started living my life.
I love the paddle board. It's just a really good way to recenter. Being on the water is really peaceful, and you have to focus on your balance and holding yourself up. Doing a little bit of yoga under the sun on the water is really, really magical.
I wasn't really big enough when I was filming at school for it to affect anyone too much, but I think my friends that were consistently in my videos during that time definitely got attention that they weren't anticipating. I'm not quite sure how they felt about it to be honest.
We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
I think the B-52's were a huge influence on Sleater-Kinney. The way that there'd be a really interesting guitar line that'd be really melodic and kind of simplistic, I really related to that. The sense of melody is really intense and fun. It's not just traditional song structures, but it's very melodic and draws you in, in kind of an immediate way.
My family took a vacation to Universal Studios when I was really young. Me and my brother Richard - who's also an actor - were both really intrigued by seeing the behind-the-scenes stuff of how films are made. We kind of begged our parents to get into acting.
When you hit your strive, and you feel confident in what you're doing and in your process, you really want to do more and try lots of different things. I've also really worked on my breathing, which is a funny thing to talk about, if you're not an actor. I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.
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