A Quote by Jeremy Irvine

The work my mum does, a lot of it is re-housing homeless people, that's a real job. I play make-believe and dressing up for a living! — © Jeremy Irvine
The work my mum does, a lot of it is re-housing homeless people, that's a real job. I play make-believe and dressing up for a living!
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
For me, I grew up in a house doing charity work for homeless people, and my parents had a lot of homeless friends. We were always taught to not discriminate and not judge.
My mum literally drives into Skid Row every day and manages teams that are assembled to walk around and engage with usually chronically homeless people and try to get them into permanent housing.
I make an excellent salary and work a great job. A lot of the people who voted for Trump don't. Let's say you say you're out of a job and believe this guy is going to get you on back on your feet. You might overlook some stuff not because you believe it. But you're that desperate. They're wrong. But it's what they believe.
A lot of people play single to work some angle. I'm always about keeping it real. If that's how I'm living, that's how I'm living.
I think housing is not a simple commodity because we are so in short supply of land. So the government has a role to play in providing housing - decent housing and affordable housing - for the people of Hong Kong.
I like being able to play make believe as my job. I think I played make-believe growing up a little too long - probably to an inappropriate age. I played make-believe until I was, like, 13 and probably should have been doing something else. But other than that, it's fun to be able to have to learn about different people.
Being a child growing up in the 80s, my mum experimented with dressing me in quite a lot of day-glo.
Support for shelters and transitional living and housing programs is necessary if we are going to change the landscape for homeless boys and girls in America.
I had to work a lot. I was doing YouTube videos, but I wasn't getting a lot of love. How do I make a living off rapping when no one knows me? I got kind of discouraged. But hard work shuts people up.
I grew up making music in my mum's basement, and I used to tell her I was going down there to work, and she'd say, 'That's not work. Go get a real job!' It took me signing a record deal to change her opinion!
If you look at people who seek a lot of care in American cities for multiple illnesses, it's usually people with a number of overwhelming illnesses and a lot of social problems, like housing instability, unemployment, lack of insurance, lack of housing, or just bad housing.
You should understand that private faith does not force public decisions. That's how you work at compromise. I haven't given up what I believe, but I live in community - in a city, state, nation, and world - with people who don't believe what I believe. That doesn't make them defective or inferior.
Modeling is a job. Even my mum doesn't believe that I do work hard.
I happen to believe in the human condition so strongly that I don't have to make up games to play with people. Here's what I think: If it's good, let's go for it. If it needs work to be better, let's work on it.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
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