A Quote by Jeremy Jones

What draws me to the type of snowboarding that I'm doing now is, I go through every emotion in life when I'm climbing these mountains. The fear. The anticipation before that. Getting to the top and the joy of standing on top, and then the adrenaline on going down, and then the kind of overwhelming emotions that I get at the bottom. That whole process is really addicting, and makes me feel alive.
I've been through so much damn adversity, I've had so much critiqued on me. From being the undefeated world champion to never really getting the love or the respect I feel I deserved when I was on top and then finally getting knocked down and then everybody jumping on top, trying to kick me while I was down.
I say all the time that if you really want to feel alive, it's not through striving for yourself. If you really want to feel alive, it's not through trying to get more things or get more success or climbing a corporate ladder or getting to the top. Because, once you get there, you realize that you don't really find happiness in that. If you want to feel alive and if you want to feel peace and happiness, give your life away. Do something that is outside of yourself for someone else. I think that's the way to truly feel alive.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
Every time I do photo shoots, my bottom lip and, like, my top lip are quivering because I just don't know how to look. Then the flash kind of makes me go boss-eyed sometimes.
I have the tools to climb the mountain so I don't mind climbing mountains. I have climbed mountains since I was growing up in east London in Plaistow. I'm not scared of climbing mountains. When you get to the top, the view's great. That's what it's all about.
The hard part is staying at the top. Getting to the top, you got somebody you shooting at. Then when you get to the top, now people shooting at you.
I like a good cry every now and then. It releases something. There are times in my life when I'm meant to cry, but I don't actually cry. But then I can be walking down the street and it's been a few months, and things get on top of me - that's when I find myself crying.
The attraction of snowboarding is the freedom it gives you. With a snowboard on your feet the sky is the limit. You can do anything and go anywhere. This is not just for pro riders. It is for everyone. The other amazing thing with snowboarding is how easy it is to get away from people and enjoy the solitude of the mountains. Its almost impossible in surfing but with snowboarding it is a short hike from the top of the lift or the side of the road.
And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it.
I paint from the top down. From the sky, then the mountains, then the hills, then the houses, then the cattle, and then the people.
I can't give a formula for how to spread joy, but I know that the source of the joy is one's own joy, and that that is not distinct from pleasure and fulfillment of desires. So I ask: What makes me feel alive? What is the expression of my inner wild? What would really feel good? What if what makes me feel alive leads me toward the deeper joys, which are found in generosity and service, in creating things that are beautiful to me? Maybe the world needs more of that. How many petroleum company executives are doing their work because it's beautiful to them? Not very many, I bet.
I'm OK with procedural code, and the web is a top-down type of problem. It makes sense to me that you have HTML, you spit out a bunch of HTML, then you call a function to do something and then call another function.
Some magazines are run from the top down, where the editor-in-chief decides what every article is going to be and who's going to write them, and then they're doled out. My idea is to do it the opposite way, to do it from the bottom up.
You need to reinvent yourself every day when you are doing creative work. I always say that the moment I feel I'm at the top of the mountain and I cannot do more, I would be finished. So that's why I always feel the earth quake beneath my feet. I always feel myself on the fire. Because I think this is something that gives you the right adrenaline to work and go forward in your professional life. I have reinvented myself, believe me, many times in my life!
I love movies and I love art - and an architect is an entertainer, the guy who builds a rollercoaster is an entertainer. He knows where to build the slopes, and the big anticipation when you go up... He makes you go, 'Oh my God!' when you get to the top before you come down. It's just the same as structuring a show or a dance.
In the old days gigging was everything. The whole of life was about gigs. Everything was about waiting for the gig and then doing the gig and going nuts and then afterwards the party and all the stuff that goes with it. And then that party continues through your twenties and thirties. I'm now 51, and it's still very much in my blood, but I'm really hard pushed... the gig is the party for me now.
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