A Quote by Jeremy Jordan

I am a Broadway theatre guy... so it was kind of my goal this year to come out to LA for pilot season and expand my horizons — © Jeremy Jordan
I am a Broadway theatre guy... so it was kind of my goal this year to come out to LA for pilot season and expand my horizons
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
I only do children's films now! I think when you go to LA some people feel you've defected a little bit and that's not really the case. Ideally, I would love to work here and to work in America. That's in an ideal world. In fact, I came back to Britain recently to do an ITV1 drama that will be out in April for a couple of months! But I'm flying back to LA to do a pilot season. So, to work in both places is great.
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
The first season of a show is kind of like an extended pilot. You're only really on the map if it goes a second season.
During my senior year, when I was attending the University of Michigan and getting a drama degree, the Purple Rose Theatre was in its second season. The year before was the company's inaugural season. I, of course, wanted to work there. It was started by a really prominent local actor, Jeff Daniels.
I am an off-Broadway, nonprofit kind of guy.
I marmaladed a slice of toast with something of a flourish and I don't suppose I have ever come much closer to saying 'Tra la la' as I did the lathering for I was feeling in mid season form this morning.
Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season.
I first came to LA auditioning during pilot season. I didn't really know anyone. The only people I'd meet were the girls I was up against at auditions. It wasn't the friendliest bunch.
I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.
I wanna be the guy that's main eventing WrestleMania year after year. That's always been my goal. That's still my goal.
It must have been an extraordinary time. I guess the worrying thing about musical theatre to me, is if you look at the London season this year, mine is actually the only one to have come in.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
The cable TV sex channels don't expand our horizons, don't make us better people, and don't come in clearly enough.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.
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