A Quote by Jeremy London
I like for there to be a moral, for the character to have gotten something out of the experience.
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You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.
It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.
Certainly Christianity is an experience, but equally clearly the validity of ane experience has to be tested. There are people in lunatic asylums who have the experience of being the Emperor Napoleon or a poached egg. It is unquestionably an experience, and to them a real experience, but for all that it has no kind of universal validity. It is necessary to go far beyond simply saying that something comes from experience. Before any such thing can be evaluated at all, the source and character of the experience must clearly be investigated.
I think it's a really admirable thing to be very sure of your own moral code and not waver from that. If you're sure of your moral code, your moral code is personal. Something that I admire about my TV character is being unapologetic and knowing who she is. That was empowering to play.
I never really put pressure on myself to make things seem new and spontaneous, mostly because I think everything is kind of derivative at this point. I enjoy the old-fashioned idea of like, His Girl Friday and Bringing Up Baby, those old movies. Those relationships are kind of where I've gotten inspiration for this character and this relationship. But I think what makes it new is just the words coming out of my mouth personally, and my take on it based on my own personal life experience is hopefully going to add something a little different, and add some flavor to it.
Most superheroes are painted with a specific moral objective that makes them who they are. And that moral objective influences everything they do, so there's an expectation for what you're going to see out of a certain character.
I think that's the key for a good team, to work together like a family. It's something that I've learned over the years with the experience that I've gotten over 10 seasons.
The moral absolutes rest upon God's character. The moral commands He has given to men are an expression of His character. Men as created in His image are to live by choice on the basis of what God is. The standards of morality are determined by what conforms to His character, while those things which do not conform are immoral.
Sometimes I become attached to a character because I've gotten to explore him for so long, like in the case of Ben, but sometimes I fall in love with a throwaway character who exists for only one scene in a video game like The Drunken Villager in 'Diablo III' or Sandal in 'Dragon Age.'
Moral Injury is differentiated from PTSD in that it directly relates to guilt and shame veterans experience as a result of committing actions that go against their moral codes. Therapists who study and treat moral injury have found that no amount of medication can relieve the pain of trying to live with these moral burdens.
Unless the will is free, man has no freedom; and if he has no freedom he is not a moral agent, that is, he is incapable of moral action and also of moral character.
The good polis is made by the good person, his moral character intact, and the good polis, in turn, helps turn out good persons, their moral character intact.
I like playing complex, interesting characters. Sometimes I don't think there's much of a strong line between right and wrong for a character. Every character is somewhere on a moral spectrum.
With 'Imposters,' I finally felt I had gotten something I could sink my teeth into. It's a dream come true, and I couldn't ask for a more fulfilling and challenging experience. It was something I didn't expect. A real surprise.
You're an intelligent person of great moral character who has taken a very courageous stand. I'm an intelligent person with no moral character at all, so I'm in an ideal position to appreciate it.
I don't want to sound like a heroic woman or to seem full of myself, but I do have a core of trust that I'll figure things out and find my way. And if whatever I try is not a good experience, even that is a good experience. If something turns out lousy, it's interesting.
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