A Quote by Jeremy London
I think it was when I realised I could talk anybody into doing just about anything I wanted them to.
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You've never heard me talk about politics all that much, and it's just - I can't think of anybody more dangerous as president than Donald Trump. I can't think of anything worse than with him not having a clue. I mean, could you imagine somebody who doesn't read and doesn't learn trying to deal with the day-to-day changes and challenges of that job?
My father could talk about the Romany way of life and its culture. He could talk about freedom and the Scottish spirit. But that was all he could talk about. I was desperate for someone to talk to but there was just nobody there.
The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.
You put funny people in funny costumes and paint them green and we could talk about anything we wanted to, because that was the only thing that fascinated Gene about this particular genre.
It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
I understand what 'Lost' was, and I count my blessings. I'm usually happy to talk to people. I don't think I've ever had anybody say anything negative to me about it except, 'I didn't get the ending. What the hell was that all about?' And I'm like, 'Talk to Damon Lindelof!'
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
I think a lot of people are very good, but I don't think anybody could do my rhythm. I was thinking, "If you want my rhythm" - and when I was writing, I was writing them for myself - "why am I watching another actor doing what I should be doing?" It was just a really unpleasant experience.
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
I remember being asked for the first time about my race, and it really took me by surprise, just that it was a point that needed to be raised - and then I quickly realised that it was a point that everyone wanted to talk about!
People are talking about women's wrestling, and that's all I've ever wanted since I was ten years old. I wanted people to talk about the women and all they could do. We're celebrating women's wrestling. People want to see us, and we're just doing our best.
I felt very committed to Stephen, and I didn't think he could manage without me. I wanted him to carry on doing his amazing work, and I wanted the children to have a stable family behind them - so we just carried on.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
I was being trained because I wanted to be a preacher like my father. I wanted to talk about Moses; I wanted to talk about God... I wanted to talk about the apostles, the disciples and all that.
The '80s really were - talk about no rules. People just did whatever they wanted; they could look however they wanted. There was just a lot of bigness and brightness.
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