A Quote by Jeremy Luke

I'm in a position to work on good things. I've worked on shitty projects, in the past. But, it is what it is. I'm just taking it as it comes. — © Jeremy Luke
I'm in a position to work on good things. I've worked on shitty projects, in the past. But, it is what it is. I'm just taking it as it comes.
People ask me about past projects I've worked on, and other things; I'm just really bad at lying. I have a bad poker face, so I just try to tell people how I'm feeling in the moment and really what I was trying to do.
Being sad and going out on terrible dates and having horrible breakups and then having a shitty job and then quitting the shitty job and then wondering if you shouldn't have quit the shitty job and then getting a new shitty job that you get fired off of after six weeks, it's all so good for your writing.
I was just shitty, shitty, shitty with money and I finally, when I really started making money, I had to get somebody to sit down with me and learn how to manage my money.
You want what you can't have. And if someone's being shitty to you, just move on. If someone's being shitty to you, no matter how great they are, that's shitty, and you don't want be with someone who treats you shitty.
I've just always loved really good projects. The things that draw me into a new project have very little to do with genre and have more to do with the characters I'll be playing, the people I'll get to work with and things like that.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
Sometimes people can get shitty, but you won't last in music industry by taking things personally.
The truth is I've worked a lot of things people would consider shitty jobs but I've never really hated any of them.
I've been blessed to work with some good people as well as different actors. So it's a blessing to be able to have friends who... the friendships are a result of projects that you've worked on together.
I always felt that, when I saw Denzel or Viola do scenes in their past films or past projects, that if it's a heavy scene, and it's requiring a lot of emotional weight, that we would have nothing but silence and incense burning in between takes just to keep things quiet.
It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
Campaign manager Eli Gold played by Alan Cumming on "The Good Wife" describing an old maxim in politics, don't commit to a decision before you have to. And that rule appears to have worked brilliantly for Democratic candidate front-runner Hillary Clinton, who has avoided taking a position on the president's trade agenda and has remained out of the ugly public spat with the progressive wing of her party. She has also not taken a position on the Iranian - on the talks.
If you take a wrong step but you're still in that football position, you can just react and change directions. I think for the most part young guys need to work on their football position. Get in their stance and hold it as long as possible. Work on your flexibility, especially in the hips, so you can hold that longer. A good football position will help you be more mobile and give you better leverage in the trenches.
I never was good at learning things. I did just enough work to pass. In my opinion it would have been wrong to do more than was just sufficient, so I worked as little as possible.
But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past - or more accurately, pastness - is a position. Thus, in no way can we identify the past as past
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
This site uses cookies to ensure you get the best experience. More info...
Got it!