A Quote by Jeremy Renner
Don [ Handfield] was actually one of the first guys I met in town back in '94. He was an actor and a writer and all this stuff.
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I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
The first time that I met B.I.G. was in 1994, summer of '94 - I believe it was August. I think it was right after 'Ready to Die' came out.
I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
I actually chose to do 'X-Men' because I'm working with Simon Kinberg, who's also a first-time filmmaker who I met on 'The Martian' and is an incredible writer and producer.
E and Woods are incredibly talented individuals that I am so blessed to have been grouped with these guys. To have met these guys in life, to have met such great guys that I call my family.
Actually, a person asked me if I was ever going to come back to WWE. I told them that if I came back, it probably wouldn't be as WWE Superstar, because the young guys are really what it's all about. Bringing me back as an announcer is a great position for me to actually go out and make the young guys bigger stars.
First of all you are a writer, a writer is what you are, so it doesn't actually stop the moment you leave your desk, your computer, your keyboard, whatever. Something is operating the back of your mind.
And then, looking back at my first Olympics, and when the pressure was on, in '94 and '98, and looking back and going, wow. I sensed and felt what Brian had gone through.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
When I was a critic, I reviewed Public Enemy's 'Muse Sick-n-Hour Mess Age' - this is back in '94 - and I called it a 'Dante-esque spiral of the hip-hop hell.' I idolized Chuck D, but I just hated that record, and I did not hold back. Chuck didn't freeze me out. Every time I met Chuck, he always treated me with the utmost respect.
Actually, I started to become an actress because I met someone who was just a friend and I found his life wonderful, I thought, Oh my god, you can travel, you're free, you can do what you want, you're the boss. And then I met an actor and I was in love with him.
After the whistle, during the whistle. Guys try to sneak stuff in. I just have to be uncompliant with stuff like that. Guys feel they can get away with stuff. I have to just try to not get back at him but make sure I finish through him during the whistle and not do anything that can jeopardize the team or that series of downs.
Noel Fielding is one of the nicest guys in show business. The first time I met him, I felt like I had met a rather wayward cousin whose take on the world made me laugh.
My career had been going pretty well until I took a job touring America. When I returned, it took time to remind people I was back in town and available. For four months - actually a short time for an actor to be out of work - I couldn't book any jobs.
Back in '93 and '94, when 'Dookie' was being made, my dad built this tour bus for us, out of a bookmobile. We toured in it for the first year. It was a really bad idea, by the way.
I have met a couple of six-year-olds who were apparently quite excited to meet me - before they actually met me. And when they actually met me they ran behind their parents' legs and cowered for shelter.
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