A Quote by Jeremy Scott

I'm never going to be inspired by some obscure film, which isn't to say I don't enjoy that sort of thing. I just want to share my work with everyone. — © Jeremy Scott
I'm never going to be inspired by some obscure film, which isn't to say I don't enjoy that sort of thing. I just want to share my work with everyone.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
Human beings don't want to just enjoy something by themselves. They want to share that emotion - they want everyone around them to enjoy it like they enjoy it or hate it like they hate it. That's what makes a video spread.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'
I sort of do what I say and say what I do which I'm happy with because it makes my life real easy. When I was younger, people would say that I was inspired by David Lynch, so I went and watched his stuff and I was surprised. I thought it was smart, with what I was trying to do lyrically. So I started watching some of his stuff. I've never seen his movies in [their] entirety, I'm more interested in him as a person and how he came to be successful taking an alternative route, sort of a subculture icon.
If you work with a subject matter beloved by a hardcore fan base, then there's going to be a huge amount of discussion of what you've got wrong or right. In some ways, you can never please overly obsessive fans; it's just impossible. That doesn't mean to say they're not going to go to the movie and thoroughly enjoy it.
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
There is no violent surface indication of the ecstasy which great thinkers alone enjoy. There is nothing dramatic about it, but there is some subtle light in the eye of the inspired one, or some even more subtle quiet emanation which surrounds the inspired thinker, which tells you that you are in the presence of one who has bridged the gap which separates the mundane world from the world of spirit.
If I found a healing tree in my backyard, and it grew some sort of fruit that was a healing balm for people to repair what was damaged, I'm not going to just harvest all of those fruits and say, 'You cant have this.' If I have a cure for people, I'm going to share it.
I grew up loving film and television. Film, in particular. I would never feel as inspired - it's sort of the same for music with me as well, but I never got the same kind of feeling with music as I did with watching film.
Everyone wants to know what you want to work on and everyone wants to pitch you what they're working on. And that's just part of the process. And hopefully, at some point you find someone of like minds and you make a film.
I'll say this, I'm no stranger to working with a foreign cast, foreign directors, that sort of thing. I love it, because I think that when you have people from different countries, it sort of brings everyone together, it's more of a worldly film.
I do not hesitate to say that the road to eminence and power, from an obscure condition, ought not to be made too easy, nor a thing too much of course. If rare merit be the rarest of all things, it ought to pass through some sort of probation. The temple of honor ought to be seated on an eminence. If it be open through virtue, let it be remembered, too, that virtue is never tried but by some difficulty and some struggle.
I think music can define our lives. It's interesting when we meet our heroes; sometimes they really let us down, and sometimes we realize that they're just other human beings like us, with the same drama and fears and everything else going into their lives. I've worked with lots of people at different stages of their careers - going up, going down. Some people I've worked with I would never want to work with again, and some people would probably say they never want to work with me again. But all in all, it was definitely cool.
In the same way, you were happy in spring, With the half colors of quarter-things, The slightly brighter sky, the melting clouds, The single bird, the obscure moon- The obscure moon lighting an obscure world Of thing that would never be quite expressed, Where you yourself were never quite yourself And did not want nor have to be.
I want to turn the whole thing upside down I'll find the things they say just can't be found I'll share the love I find with everyone We'll sing and dance to Mother Nature's song I don't want this feeling to go away.
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