A Quote by Jeremy Scott
The main thing I hope people see is how passionate I am about my work, and I know people talk about it, but I do work really hard on my stuff, and it means a lot to me.
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You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
I think there's some pretty amazing language in the Bible. The thing that's always been interesting to me about religion is that compared to the more modern spirituality, the West Coast pseudo-Buddhist thing that people go for these days, actual Buddhism and Islam have been looking at these philosophical questions, at really hard questions, for a long time. There's a lot of stuff that philosophy doesn't talk about, and in the secular world, a lot of times, people don't talk about these ideas, and that was always really interesting for me.
I focus on projects I am passionate about and only work with people I respect. Without these supportive teams, partners and clients, I could never work on so many things. I am fortunate that they see the value in the multiplicity of my work and how it all comes together in a kind of virtuous cycle.
For me, I'm an American and I'm a Mexican. I live here. And it hurts me the way a lot of people talk about Mexicans when I know we're all about hard work and dedication.
I believe in doing my work quietly and not make a big hullabaloo about it. That is how I operate. I don't see any other reason to be visible for; I like it when people talk about my work - that is what I am here for.
I think that people are able to see that I am working hard, that I am striving openly, honestly and sincerely to achieve the results the results our country needs. I think that they are also able to see that not all goes well. Our people are smart and sharp-sighted. Yet, I believe that the main thing is to sincerely aspire to achieve the maximum, so that the country feels more secure and people live better. That's precisely how I am trying to go about my work.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
I get letters from people about my work. The thing that pleases me most is that my work touches their feelings. In fact, they don't talk about the paintings. They end up telling me the story of their life or how their father died.
When doing comedy, I do what makes me laugh. The first person I learned from said I should talk about things I am passionate about - that I love or hate - because the audience likes to see passion. The stuff I rant and rave about stems from a place that really pisses me off.
Go work until you can get the job you that want to have. And I'm really lucky to get to work with a lot of entrepreneurs that are building some of the coolest, new stuff in the world and these guys and girls work really hard and they put in the hours and they're generous and care about other people and it's what led to their success.
The main thing is to work hard. When you work hard, you'll be in the team. It's as simple as that. And that's what I'm going to do, put my head down, work hard, and see where it takes me.
I think that's the main thing - when people watch TV and they can see that you're truly passionate about what you do, they can see it. They know it. And that's what they're drawn to.
I took my job for Nickelodeon very seriously, and back then, it wasn't certainly as big of a network as it is now, culturally, and people my age didn't know much about it. But I loved my time there. I really put everything I had into doing 'Guts,' and it actually taught me a lot about how to work really hard.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
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