A Quote by Jeremy Sisto

In your twenties, if you have any amount of complexity in your childhood, or any trauma that you haven't dealt with, it comes out. That's why you have a lot of artists that don't make it through.
There are those uncomfortable things that've passed that you have to deal with or they define you, like childhood trauma. Like when I'm lost, I just feel like somewhere along the line, if you've gone through any childhood trauma, it makes you lose your essence and it takes a while to get that back. There are certain things about that that push my buttons.
In this country, it doesn't make any difference where you were born. It doesn't make any difference who your parents were. It doesn't make any difference if, like me, you couldn't even speak English until you were in your twenties.
I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.
Your twenties is all about taking your childhood out on everyone that you run into.
I was nervous about playing a lead part in a Working Title romantic comedy and I was also nervous about the fact that I not only had to take my clothes off, but get my willy out. There's certain things you can do to make yourself look better, but there's nothing you can do about your willy. Your willy is your willy and no amount of working out is going to make your willy look any different. You get what you're given. But I wanted to look my best and to whip myself into any semblance of handsomeness. And that was hard going.
there are - as every one knows - two kinds of writing: one coming out of your vitals and the other from the top of your head. The first is the only sort from which any true private pleasure can be gained, for it is a way of getting something out of life which seemed to be there in childhood, when childhood is quite over.
I was quite shy when I was younger, but I'm not one of those people who can complain of a bad childhood or any trauma. There was none in my life. I had a wonderfully happy childhood.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
In your twenties, I think you should have all of the sex that you're inclined to have, as long as you're safe about it. Use condoms and everything. Go with your instincts. This is the time to have a lot of sex and do drugs. But make sure you live through it.
Ambition robs you of your childhood. The moment you want to become an adult—in any way—something in your childhood dies.
Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction — you go alone. With a machete in your hand and the fear of God in your heart.
You've got to bear it in mind that nobody that ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice. You've got to keep your mind off pitying your own rotten luck and setting up any kind of a howl about it. You've got to remember that things as bad as this and a hell of a lot worse have happened to millions of people before and that they've come through it and that you will too.
As artists we are here to make you uncomfortable with the complexity of your reality.
No amount of trying to inhale one more shred of inspiration is going to make it any easier to put your heart and soul out there.
Learning how to make your own fun and discover things on your own is something that is applicable to any job, any relationship, any trip, any adventure in life.
Complexity is your enemy. Any fool can make something complicated. It is hard to keep things simple.
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