A Quote by Jeremy Sisto
I had a lot of chaos in my very early years before I was old enough to know what was going on, and then I just skated through the rest of my childhood without dealing with it.
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Tara (Lipinski) got out there like a bat out of hell and skated her guts out. Michelle skated very well, but she skated conservatively. She skated great, just not fantastic. That was the difference.
At 33 years old, I didn't have to work anymore. I had to search through 'What am I going to do for the rest of my life?' I wasn't ready to fly-fish for the rest of my life.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
I was born at a very early age. Before I had time to regret it, I was four and a half years old.
I first realised I was good at football when I started getting scouted by United, Liverpool, Everton; clubs like that had a lot of interest at an early age, and you kind of know then you're on the right path. I was about six years old and had to sign a contract at nine.
It's true that I had a bucolic, truly peaceful childhood, growing up in a house next to our family's orchard. We had a lot of books and art, but no electricity until I was eight years old. Since then, I have seen a lot of inner-city life, though.
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
My childhood bedroom - if childhood could be about ten years old - had a bed which was under windows which faced north. At about age 10, I started watching the stars just move through the night.
I felt ten years old and a thousand years old, but I didn't know how to be my own age. I had never felt that way before, but now I feel like that a lot.
At home, my personal life was regularly falling apart, and from childhood on, I had a lot of chaos. I was addicted to chaos; I was addicted to self-harm, and I had to seek help at the hospital.
If the goal is to dramatically improve college completion rates, not college-going rates by itself but college completion, it's not just a college problem. We need a big focus on early childhood education. Our early childhood education system is pretty good in this country. Not enough students have opportunity. And, very discouragingly, they lose their advantage because they go to poor schools after that. So, let's focus on our babies.
The agricultural co-operative movement has been a severe ideological and political struggle from the very beginning. No cooperative can be established without going through such a struggle. Before a brand-new social system can be built on the site of the old, the site must be swept clean. Invariably, remnants of old ideas reflecting the old system remain in people's minds for a long time, and they do not easily give way. After a co-operative is established, it must go through many more struggles before it can be consolidated. Even then, the moment it relaxes its efforts it may collapse.
When it was my turn, I just skated out and heard this huge cheer. It was very touching considering the bad circumstances under which I had left the team and that I had been away for four years.
I felt I had a very innocent childhood and I feel privileged by that. But as an adult, I know that there were people who didn't have that. There are a lot of teens who haven't had as easy a childhood as me, and having literature that explores these "darker" parts helps relieve the burden and stress they may be feeling. As a writer, there is often a temptation to draw back when we write for teens - to preserve their innocence. But the reality is, if someone has already had that innocence taken in their life, then not writing about it is just brushing it under the rug.
I just always loved comedy and I really wanted to be good at it. And it was heartbreaking, 'cause I started and I wasn't good at it. I was only 17-years-old, so I had a lot to learn about life in general. But I just kept on trying. I was young enough and stupid enough and I had no other choice. I had nothing else I was good at.
Strangely enough, I find myself more centered in chaos than in calm, and again I'm not sure whether that's a strength or says something weird about me, but I love a crisis. I'm normally very, very organized in the middle of chaos, and then when I have nothing to focus on, extremely disorganized, and I tend to waste a lot of time.
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