A Quote by Jeremy Wade
With 'River Monsters,' it sometimes didn't matter if the story was made up or exaggerated.
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I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
I think I might have exaggerated some abilities in the past. Practical abilities for acting jobs you sometimes have on your CV - I have definitely exaggerated in meetings to get a job and then not been up to scratch on the day.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
No story sits by itself, Sometimes stories meet at corners and sometimes they cover one another completely, like stones beneath a river.
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.
Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from.
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, the idea of becoming a parent. We're always kind of looking for those emotional nuggets. They're always at the heart of the story.
I do not know how much they see through the Mist. I doubt it would matter to them if they knew the truth. Sometimes mortals can be more horrible than monsters.
To me, music is a river. I have lived my life beside the river. Every day, I get up and look at the river. I watch it and notice when it rises and falls.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
courage isn't simply a matter of leading charges: sometimes it consists in speaking up, sometimes in stoic silence, sometimes in forging ahead, sometimes in circumspection, and sometimes in nothing less than preserving our own humanity.
We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us.
Sometimes it made her want to put her fist through glass; other times, it made her cry a river.
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