A Quote by Jeremy Wade
Lake Garda it's very different. The northern part of the lake is very much Loch Ness, deep sides, but as soon as you get into the south it opens out. You walk around, you see shallow waters, and you see weeds that should feed a small fish. You think, 'Ah, this is different'.
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People conquered on different sides of the lake should be ruled on different sides of the lake.
When the waters of a lake are absolutely still, the lake reflects the trees, the sky, and everything around it perfectly. At the slightest breeze, with the smallest ripple in the waters, the lake reflects nothing but itself. To see another with clarity and objectivity, one first must master stillness. The slightest breeze of judgment or interpretation from the rational mind will create a ripple that shatters Awareness and returns us to ordinary perception.
All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.
We went to a small lake, Bass Lake. It was beautiful. It was perfectly still when we got there in the morning. The fog was lifting off the water. It was just magical. And we did catch some fish, 13 fish.
It is a fact that scientists have deposited dye in certain lakes around Orlando and tracked the effluent to Florida Bay. There is a lake near Everglades City, Deep Lake, and large tarpon show up in that lake, 30 miles from the sea.
I think fish do have personalities. Fish have very small brains so there's not much going on in there. But different types of fish have different personalities.
Nile perch is a fish that was introduced into Lake Victoria. The reason that fish was introduced into Lake Victoria was because it was decided that the people living near the lake needed more proteins than they were getting.
People should go to the works and experience them. Because just having an idea or picture in mind is absolutely not the experience that's necessary. Even just landing in Albuquerque or Salt Lake City or Las Vegas was immediately part of the experience. And then you'd get in a car from the airport and take these very long trips - in Michael Heizer's case, it was three hours by car to get to his work. And then there's walking around and into the piece and seeing it from different angles. The kinetic experience of being a part of it physically was very important for me.
You know, you throw rocks in the lake and scientists will tell you you're raising the level of the lake, but all you get to see is the ripple.
When I was 12 years old, I went to swim in a lake, and I almost died in that lake because the water was too deep - much deeper than I thought.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
It was night and I could see a large and calm lake, reflecting the moon. Black mountains rose around it. I arrived from between two of these mountains, I looked at the lake and the moon, and that was it, nothing else happened.
We are a very close family, and I love them very much, but I'm definitely the odd one out. I live a completely different kind of life style. I always was different. I felt like a fish out of water; I really never knew who I was.
When Pico [Iyer] talks about home being a place of isolation, I think he's right. But it's the paradox. I think that's why I so love Great Salt Lake. Every day when I look out at that lake, I think, "Ah, paradox" - a body of water than no one can drink. It's the liquid lie of the desert. But I think we have those paradoxes within us and certainly the whole idea of home is windswept with paradox.
Home. When it rains, you can smell the leaves in the forest and the sand. It's all so small and mild, the landscape surrounding the lake, so manageable. The leaves and the sand are so close, it's as if you might, if you wanted, pull them on over your head. And the lake always laps at the shore so gently, licking the hand you dip into it like a young dog, and the water is soft and shallow.
Poem for Liu Ya-tzu I cannot forget how in Canton we drank tea and in Chungking went over our poems when leaves were yellowing. Thirty-one years ago and now we come back at last to the ancient capital Peking. In this season of falling flowers I read your beautiful poems. Be careful not to be torn inside. Open your vision to the world. Don't say that waters of Kumming Lake are too shallow. We can watch fish better here than in the Fuchun River in the south.
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