A Quote by Jeremy Wade
I've had some hands on experience with some very big bull sharks. One false move you could be minus a few fingers or worse. You've got to respect them because it's more about what they are capable of.
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Was love then like a bag of assorted sweets passed around from which one might choose more than once? Some might sting the tongue, some invoke night perfume. Some had centers as bitter as gall, some blended honey and poison, some were quickly swallowed. And among the common bull's-eyes and peppermints a few rare ones; one or two with deadly needles at the heart, another that brought clam and gentle pleasure. Were his fingers closing on that one?
I think some of the big characters, you know, they do these adventures, but they've got something about them, they've got this charisma, and they've got to have a sense of humor. Because whether it be very dry, or very silly, they've got to be likable.
Before the operation on my left hand I wasn't able to stretch my fingers open all the way. I've never had very big hands, but I could do the splits with them. Eventually I couldn't any more. I had a twisted tendon in my little finger that prevented me from being able to stretch.
At some of the darkest moments in my life, some people I thought of as friends deserted me-some because they cared about me and it hurt them to see me in pain; others because I reminded them of their own vulnerability, and that was more than they could handle. But real friends overcame their discomfort and came to sit with me. If they had not words to make me feel better, they sat in silence (much better than saying, "You'll get over it," or "It's not so bad; others have it worse") and I loved them for it.
When I was young, I had a big problem with warts. It started with one on the side of my little finger. A year later, I had it on all my fingers. My hands looked like the hands of an alligator. So I fist bumped people instead of shaking hands for a few years.
Most sharks can't tolerate freshwater but bull sharks have a quirk of their physiology that enables them to.
I've swum with dolphins in Mozambique and with bull sharks off Mexico. They didn't tell me how dangerous the sharks were until after I got out.
Sharks have a deadly form of claustrophobia. It's not so much fear of enclosed spaces as it is inability to exist in them. No one knows why. Some say it's the metal in aquariums that throws their equilibrium off. But whatever it is, big sharks don't last long in captivity
I got hurt when I was 19. They thought I broke my neck. I couldn't move my hands or feet, and I had a very bad experience.
I think all of us, under certain circumstances, could be capable of some very despicable acts. And that's why, over the years, in my movies I've had characters who didn't care what people thought about them. We try to be as true to them as possible and maybe see part of ourselves in there that we may not like.
I try my best to avoid the sharks of life, but I have had my share of experiences with them, and in those cases I just have to handle them accordingly. But I do not swim with sharks ... sharks swim with sharks.
The vampire’s true appearance was grotesque--but it wasn’t as bad as some of the things I had seen in my day. Some demons were a lot worse, and some of the Elder Things could rip your mind apart just by letting you look at them
Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.
I did not think my chances were very big when I saw some of the other men who were competing for the team. They were a good group, and I had a lot of respect for them. But I decided to give it the old school try and to take some of NASA's tests.
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
In some ways, in 'The Queen of the Night,' I'm writing about some of the experience that I had with 'Edinburgh' where I was entirely unable to speak about what had happened to me as a child, but I could read from the novel.
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