A Quote by Jeremy Wade

A river without monsters is a scarier prospect because it means the water is unhealthy. — © Jeremy Wade
A river without monsters is a scarier prospect because it means the water is unhealthy.
Monsters just outside our peripheral vision are scarier to contemplate than monsters miles away or in someplace only a fool would set foot in.
Liesel crossed the bridge over the Amper River. The water was glorious and emerald and rich. She could see the stones at the bottom and hear the familiar song of water. The world did not deserve such a river.
Love without trust is a river without water.
Monsters cannot be announced. One cannot say: 'Here are our monsters,' without immediately turning the monsters into pets.
The monsters and creatures were always scarier when they felt very real and tangible, and there's something about CG that lessens the impact of it.
It is a fact that the entire Kentucky River system, which the central part of the state complacently depends upon for its future water, is deteriorating rapidly because of strip mining, because of bad farming, because of industrial and agricultural pollutants, because of urban sewage. It is deteriorating, that is to say, because almost nobody cares, or cares to know, where water comes from, so long as it keeps coming.
Every day we're given a choice: We can relax and float in the direction that the water flows, or we can swim hard against it. If we go with the river, the energy of a thousand mountain streams will be with us . . . if we resist the river, we will feel rankled and tired as we tread water, stuck in the same place.
Once upon a time you were a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. Anyway, being a fish, you knew how to swim. You were a great swimmer. A champion swimmer, you were. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. Perhaps that is what it means to be a father-to teach your child to live without you.
I try not to put pressure on filmmakers to come up with a big scare at the beginning. I think that helps let the audience settle in and get to know the people they're about to spend 90 minutes with. Once the scarier stuff happens, it's scarier because of that.
You can't talk about solving the economic problem of the Negro without talking about billions of dollars. You can't talk about ending the slums without first saying profit must be taken out of the slums. You're really tampering and getting on dangerous ground because you are messing with folk then. You are messing with captains of industry. Now this means that we are treading in difficult water, because it really means that we are saying that something is wrong with capitalism.
I'm very scared of water. When you don't see the water... I imagine monsters - stupid things.
At noon, you walk across a river. It is dry, with not this much water: it is just stones and pebbles. But it rains cats and dogs in the mountains, and towards afternoon, the water descends wildly and she ravages all in its path, the madwoman. That is how death comes. Without our expecting it, and we cannot do a thing against it, brothers.
How could drops of water know themselves to be a river? Yet the river flows on.
For me, water means a lot of things. It's my belief that human beings are just like plants. They can't live without water or they'll dry up. Human beings, without love or other nourishment, also dry up. The more water you see in my movies, the more the characters need to fill a gap in their lives, to get hydrated again.
I like monsters in general - that's what I like to write about. Somebody was joking with me that my body was becoming a manual for a role-playing game because I'm covered in little monsters. That's true. I could easily have more monsters on my skin.
All I did was sit on the riverbank handing out river water. After I'm gone, I trust you will notice the river.
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