A Quote by Jeremy Wade
The most fascinating and satisfying encounter so far was the goliath tigerfish of the Congo. I first caught one in 1991, and then again while filming the second season of 'River Monsters' in 2009. Its appearance is quite unbelievable, like a giant piranha, with inch-long interlocking teeth.
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I am used to coming in second and then all of the sudden finishing in first because nobody expected me to do it. Kind of like David and Goliath, you know. I'm not the giant.
Twenty-five years ago my two main target species were goliath tigerfish and arapaima from the Amazon. Each took me six years to track down and catch, over the course of three expeditions to the Congo and six to the Amazon.
I remember, my first season was 1999, and I must have crashed about 13 times in that first year. But then, in the second season, you crash about half as much and then, in the third year, even less again.
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
I was way into 'Voltron,' Ray Harryhausen: anything with giant monsters, I was really into. Even dinosaurs - for a while, I wanted to be a paleontologist. So it's almost like primal, ancestral mythology to me, this fascination with monsters.
There are some species, one was the Goliath Tigerfish, that took me six years to track down and catch.
The worst thing that happened when filming 'River Monsters' was the time when our sound recordist was hit by lightning.
When you do the first season, you're putting your life out there and you're kind of hesitant about it, and then by the time you get around to the second season, you don't care. It's like, "This is who I am - like it, accept it, or don't." There are so many misconceptions that now they can see who I am.
What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
I think when I was doing my very first interviews, I probably brought a notepad and did ask people my first fifteen questions while sitting in a Starbucks or something horrible like that. And I found that, oftentimes, the most important thing at the very first interview is just establishing a personal connection and developing some sort of rapport so that I can go back to them again, and then maybe again, and maybe again after that.
...a river season will last as long as it takes you to reach your new place. If you get into the river and let it take you where you need to be, your river season will last an afternoon. But if you fear change and struggle and hold on to the rocks, the river season will last and last. It will not end until your body becomes exhausted, your grip weakens, your hands slide off the rocks and the current takes you to your new place.
A long-term romance is like a rose bush. In any given season, a blossom might fall off. But if the plant is well nourished, then the season will come around again, and new blossoms appear.
I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
I wore one on the first episode of season one [of Fuller House], and then I saw it, and I went back to my hairstylist, and I was like, "We are never using this again!" I know it was a good throwback for that first season, but I am 40, I cannot pull off a scrunchie anymore. Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.
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