A Quote by Jeri Ryan

It was really a pleasure to play someone who's literally pushed past her breaking point repeatedly. — © Jeri Ryan
It was really a pleasure to play someone who's literally pushed past her breaking point repeatedly.
It was really a pleasure to play someone who’s literally pushed past her breaking point repeatedly.
I love to play characters who are stuffy and nerdy who either then have a dark side or are pushed to a breaking point.
I believe I am strong mentally. My breaking points might be bigger than most players. I think it's because of the way I grew up with my two older brothers. They pushed my limits quite often - once every day, I think! I think that played a big role in my breaking point being bigger than most players. Not all players.
Well, Kajol's a lovely lady! She's a pleasure to work with and I really enjoy her company! She has the ability to make someone feel so important...she herself is really cheerful and she makes others around her feel cheerful too. I don't believe I've ever seen her cry...except in front of the camera of course! I believe she has the potential to go so far.She is such an insipiration to everyone around her.....including me!
Your heart literally hurts when it's breaking. You can feel it, every beat another ache, and nothing you can do will stop it, either from beating or breaking.
But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.
I'm a filmmaker, so I always think: When is the breaking point? Sometimes you've got to go beyond the breaking point, and then you catch it. When is long enough? It's one of those things you have to look at, walk away, and go home and find out what it is.
...since I was a little boy, she had always wanted me to go. She was always sending me off on a bus someplace, to elementary school, to camp, to relatives in Kentucky, to college. She pushed me away from her just as she'd pushed my elder siblings away when we lived in New York, literally shoving them out the front door when they left for college.
When you're comfortable and secure, it's not enough. The mind doesn't stop there because it has to continue to focus itself as this body, so it moves to pleasure. And pleasure really is a non-existent thing. When we're experiencing pleasure, we're trying to hold onto it as it leaves, so it really isn't pleasure. Pleasure is pain because we're grasping.
Any artist, in any field, wants to press deeper, to discover further. Image and sound play are among the strongest colors available to poetry's palette. For a long time, I've wanted to invite in more strangeness, more freedom of imagination. Yet music, seeing, and meaning are also cohering disciplines. They can be stretched, and that is part of poetry's helium pleasure. But not to the point of breaking.
Like all her friends, I miss her greatly...But...I am sure there is no case for lamentation...Virginia Woolf got through an immense amount of work, she gave acute pleasure in new ways, she pushed the light of the English language a little further against darkness. Those are facts.
We were sitting there on the couch together, and he pushed himself up to go but then fell back down onto the couch and sneaked a kiss onto my cheek. “Augustus!” I said. “Friendly,” he said. He pushed himself up again and really stood this time, then took two steps over to my mom and said, “Always a pleasure to see you,” and my mom opened her arms to hug him, whereupon Augustus leaned in and kissed my mom on the cheek. He turned back to me. “See?” he asked.
It's a pleasure to play my sister because everything I've accused her of my whole life, I can now re-enact before her eyes.
Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her?
As an actor, you can't play a flashback; you can't play someone's memory. You just have to play each circumstance as if it was real and understand that person's point of view.
What kind of role do you play after someone like Stringer, you know what I mean? You play another gangster. What’s the point of that? I’ve played the gangster. I try to keep it really varied; it just makes for more of a fun and interesting career.
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