A Quote by Jermaine Dupri

When I came out rapping on my record, a lot of people said, Oh, you just want to be like Puff. — © Jermaine Dupri
When I came out rapping on my record, a lot of people said, Oh, you just want to be like Puff.
I was a rapper. The reason I stopped rapping was because I realized that people wanted guys like Puff Daddy. That's not what I do. I quit. That was it. I had to sacrifice for my choice. I said, 'Forget it. I'll be a producer.' Nobody was going to make me do anything.
When I was a youngster, I wrote all this music - it just came out of me - and I think record executives were like, 'Oh, wow, he's a genius, let's give him a million dollars!' But the minute I started producing the records, they'd be like, 'Oh, my God, you're terrible! You're all over the place! We can't market this!'
'Despacito' is phenomenal; you can't really chase that type of success. I'm a huge fan of the record, the original, and then when the remix came out, I said, 'Oh my God, it just got greater!'
My brother said 'I want to start acting,' and me and my sister just said, 'Oh we'll try it, we'll see.' It was just one of those things - we were just like, 'Oh, we'll see what happens.'
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
When I heard my first rap song and figured out what that was, I kind've stuck to it. I always wanted to be a musician in general, an entertainer. I just started rapping. I never decided, 'Oh, I want to be a rapper.'
If you look at my track record, there was nothing on radio that sounded like 'Oh Carolina,' 'Mr Bombastic' when they came out.
I'm really thankful to have my own record label. I've always looked up to people like Madonna when she launched Maverick Records. Even Jay Z and Sean "Puffy" Combs, who's a mentor and also gave me a shot when I was an independent artist in Atlanta. He came to my show, and he said, "I just want people to know about you."
There are some people who are way too sensitive about things. If you're not using the vocabulary that's new that they've helped define, then you're not on their team, even though you want to be. And at the same time, the fact that our president Donald Trump said on record, "You could just grab women by the pussy," and a lot of people in America were like, "Yeah, it's fine, that's something that's said..." There are people that are not sensitive or aware enough about other people and what that means.
There's a lot of gimmick infringement out there, but that's cool. It's a compliment. But it all started right when I first came into the Garden. I came down to Eye of the Tiger and when I hit the ring with the Sheik, I just put my hand up to my ear by accident, and the crowd got louder. I was like "Oh, that works."
When I say that I'm not dancing, people get it confused, like I'm not going to do anything outside of rap. It's not that. When I leave this earth, I want to be remembered as an M.C. But I'm definitely going to touch a lot of other genres, not just rapping.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
When I'm rapping, like, a turn up song, I'm thinking about what the people want to hear; this is what they're going to like. When I'm singing, I'm, like, telling my story. I'm not worried if people like it; I'm just trying to be truthful, you know what I'm saying? I'm just talking about something that happened to me.
I was singing R&B before I was rapping, and I never really enjoyed it. But when I started rapping, I was like, 'This is sick - I'm actually alright at rapping!'
One of my younger homies, he went to jail, and some people came to me and were like, "Bail him out," and I said no. Why would I bail him out? He's going to prison. Let him sit and get some time served. You want to be crazy, but you don't want to go to jail. You want to shoot people, but you don't want to kill people. That's such a misleading thing.
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