I got to meet and work with Barry White, Quincy Jones, Patti LaBelle, even.
I'm not a superstar, per se... but I'm a musical creator - a producer in the same vein as what Quincy Jones was, or Pharrell and Timbaland were.
I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.
If anybody calls me a female Quincy Jones, that's way, way complimentary. That's something I'll cherish for life.
My friend Quincy Jones says we won our first Grammys together in 1963. I have no recollection. I don't even remember the room. When he showed me the picture, I remembered what I wore. But it's like awards don't mean anything.
I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.
Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.
At a party in L.A., I met this middle-aged gentleman who I was talking to for ages when I asked, 'So, what do you do?' Turns out I was speaking to legendary music producer Quincy Jones, who worked on Michael Jackson's hits. And there was little old me rattling on - I was so embarrassed.
I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.
All of my records, I produced, put together completely. All of them. Maybe Drake might come with an idea, and I might finish it. You gotta remember what a producer is. Quincy Jones is a producer.
My mother and I are more than best friends; we are partners in crime. After she and my father, Quincy Jones, separated when I was 10 years old, my sister, Kidada, who was 12, went to live with our dad, and I stayed with my mother.
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
What happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.