A Quote by Jermaine Fowler

Comedians play off of social commentary. — © Jermaine Fowler
Comedians play off of social commentary.
I don't want to offend people and I don't want to be mean, but social commentary and comedy for me are part and parcel. I think the greatest social activists are comedians.
I don't profess to be a political rapper, like groups such as 'Dead Prez' or 'Public Enemy', but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary - what happens, what's going on.
I'm in awe of comedians that do things that I can't do, whether it be a one-liner comic like Anthony Jeselnik, whether it be social issues commentary, whether it be - hell, Carrot Top. I can't be Carrot Top. I can't.
From my experience working with comedians, there is that competitive aspect. With actors, for instance, they don't want to look competitive even if they are, whereas comedians, I think, are openly happy to play on the idea that they all compete with each other to get the laughs. There's something about comedy, I think, that encourages that. There's this kind of schoolboy sense of wanting to top the other person that we play off of to show them competing for who's smarter or cleverer.
When I think about writers who use fiction as social commentary and to raise social awareness but who are also very popular, I think of Dickens.
I've found, across the board, that comedians have been very respectful and kind to me. And that seems to stem from the fact that they are just respectful and kind people in general. Comedians get a bad rap for being dark and anti-social I think.
I'm interested in social commentary.
I'm a sports columnist who specializes in social commentary.
Zombies have always had a lot of built-in social commentary.
I don't think social commentary should be planned, you just have to be truthful.
Code is followed by commentary, and commentary by revision, and thus the task is never done.
I like singing all songs, really, but I find that writing social commentary comes naturally.
Dickens's final book, 'The Mystery of Edwin Drood,' forms the jumping-off point for my new novel, 'The Last Dickens'. This last work by Dickens has very little social commentary and a pretty tightly efficient storyline and cast of characters. Not necessarily what we think of when we think what characterizes Dickens.
Every comic will tell you that a lot of crowds play differently to different social commentary. Some people are really uptight about stuff like that. Some people just enjoy the fact that it's your experience and they want to hear you mock and joke about your life.
You were doing a TV show - you don't realise that you're also making social commentary at the same time.
I think that my films are basically family stories, beyond the fact that they are global and have political and social commentary.
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