A Quote by Jermaine Fowler

Black Panther is a cool superhero and all, but let's be honest: He doesn't quite have the legs to prop up a blockbuster on his own. — © Jermaine Fowler
Black Panther is a cool superhero and all, but let's be honest: He doesn't quite have the legs to prop up a blockbuster on his own.
The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
We are fortunate to have such an esteemed filmmaker join the Marvel family. The talents Ryan [Coogler] showcased in his first two films easily made him our top choice to direct 'Black Panther.' Many fans have waited a long time to see Black Panther in his own film, and with Ryan we know we've found the perfect director to bring T'Challa's story to life.
There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.
A black shadow dropped down into the circle. It was Bagheera the Black Panther, inky black all over, but with the panther markings showing up in certain lights like the pattern of watered silk. Everybody knew Bagheera, and nobody cared to cross his path, for he was as cunning as Tabaqui, as bold as the wild buffalo, and as reckless as the wounded elephant. But he had a voice as soft as wild honey dripping from a tree, and a skin softer than down.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
The panther is sleek. The panther is sneaky. The panther is covert. Meanwhile, the gorilla will show up and bang on his chest and make noises to warn you about what is about to happen if you continue to cross the line.
If you've learned anything from the modern superhero myth, if you see a bat around and it bites you, you have a 75 percent chance of ending up a superhero. Otherwise, you'll probably get really sick. But it'd be cool to be a superhero. You don't need to be too afraid.
In 'Black Panther,' I tried to preserve virtually all versions and interpretations of 'Black Panther' - including the Jack Kirby one, which was really tough to do - and make it work within current continuity.
From behind a wooden crate we saw a long black-muzzled nose poking round at us. We took him out-soft, wobbly, tearful; set him down on his four, as yet not quite simultaneous legs, and regarded him. He wandered a little round our legs, neither wagging his tail nor licking at our hands; then he looked up, and my companion said: "He's an angel!"
When they call you and say, 'So you want to play 'Black Panther?'' if you know what 'Black Panther' is, there's no way in the world you're going to say no because there's a lot of opportunity for magic to happen.
The 'Black Panther' series was never really about the Black Panther at all. The State Department guy, Everett K. Ross, was the series protagonist, so politics was simply a logical part of the character's tool set.
Black Panther is a great film'. It has the most compelling villain of any Marvel movie, and it deals admirably with the issue of diminishing jeopardy in a million superhero films where the world is going to end.
I have to own the fact that I'm a black man - that's why I did 'Black Panther' and 'Widows' because if I play the industry game, I lose.
There's a Marvel superhero called Black Bolt & his real name is Blackagar Boltagon & that really tells you a lot about superhero comics.
One thing that the white man can never give the black man is self respect. The black man in the ghettos, have to start self correcting his own material moral, and spiritual defects, and evil. The black man need to start his own program to get rid of drunkenness, drug addiction and prostitution. The black man in America has to lift up his own sense of values.
In most superhero shows, the superhero is pretty young. He's in his 20s; he's single. 'Black Lightning' is a man who's middle-aged, going through a divorce, and has two daughters.
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