A Quote by Jermaine Fowler

I was the black kid in school who'd skate and wrestle, who was really into outer space and botany and kung fu and hip-hop. I was into everything. — © Jermaine Fowler
I was the black kid in school who'd skate and wrestle, who was really into outer space and botany and kung fu and hip-hop. I was into everything.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.
I used to skate a lot when I was a kid. I loved it and was quite good. When I came back to London in around '85, I got really into skating again. But at the time, it had no influence from hip-hop. It was just thrash rock, hardcore rock, and skulls and all black - that kind of style. In Japan, the skaters were also strictly into rock culture, too, but I was coming from the hip-hop side, so for a while it was difficult to mix both interests.
When I was a kid, I loved watching kung fu movies - in San Francisco, we had 'Kung Fu Theater' on TV on Saturdays, and they'd air old Shaw Brothers movies with English dubbing, things like that.
I'm really into old school music when hip-hop first came out with Common, A Tribe Called Quest, Queen Latifah, MC Lyte, and Run DMC. I'm really into that! Hip-hop these days isn't the same and doesn't have the same sound anymore. I'd rather listen to the old school hip-hop.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
He was never a kung fu guy. Now, he's Mr. Kung Fu. Oh, man. Even Chow Yun-Fat gets typed!
Kung fu: You've got to spend your whole life at it before you're kung fu.
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
My role in kung fu - in the art of kung fu, not the series - is not as a practitioner. My role is that of an evangelist, which is an entirely different thing.
Hip-Hop is diverse. But the white, capitalist producers and distributors of Hip-Hop are most interested in the Hip-Hip that is misogynist, that is Black-hating, that is pugilistic, that is to say all about fighting and war and killing and gangsterism.
This is more in regards to celebrities. What we've got to understand is that we are the influencers of the hip-hop culture, the black culture. We are the way out, you feel what I'm sayin'? As far as who we look to and where we get stuff from - hip-hop culture is influencing the world, really, but especially the black communities.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Kung fu lives in everything we do. It lives in how we put on a jacket and how we take off a jacket. It lives in how we treat people. Everything is kung fu.
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