A Quote by Jermaine O'Neal
It's a huge, huge pressure that so many people depend on you. The type of player I am and people look at me to come out and perform a certain way. Not being able to play on the biggest stage of the season, it's frustrating. One thing I wanted to do was not be frustrated about it and figure out what I can do to change and better myself on the court.
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At Pinetop I just studied music, and there was no pressure to look any certain way, and so being able to sing and play guitar was enough. But when I came out to L.A., there's a whole image that you put out there and people really feed off of that because of social media platforms. And sometimes someone will see a picture of me before they hear one of my songs. It's really important to have it all figured out so that you can portray what you want people to see.
Sometimes when I can't communicate that I'm frustrated, I'll just grab my guitar and I can play out that emotion and be able to cope with whatever is going on. So even being able to, like I said, share this gift with so many other people, it's definitely very therapeutic. It helps me just to focus and to be able to kind of get out those emotions that I'm having without reacting in such a way that's not acceptable in society.
The biggest mistake people make about me is that they see me as some sort of god-like figure with a big ego. If I see a button, a T-shirt, that says, 'Yngwie is God,' I just look at it as a complimentary way of people telling me they like me. Although it's very flattering, it doesn't change the way I look at myself.
I feel a huge gratification out of being right. To see my projects connect in a way in which the audience is passionate is a huge compliment. For me it's like, if a person is ambitious enough, they run in a tunnel that doesn't end...And I learn things about myself all the time.
I know for me, music was the best drug for anxiety. So that's why I wanted to write the music that I do, because it always suits my anxiety. It's a huge part of my life, and being able to make music that can help people with their anxiety is a huge thing for me.
One of the things that's funniest about the entertainment industry and comedy is that people go 'Oh, you're great, but I don't know what to do with you.' The great thing about the Internet is that nobody has to figure out what to do with you. You can figure out what to do with you, and you can say, 'I made this thing, and I'm going to put it out, and now if people want to come see me and buy things from me they can.'
Huge events in life inform you in so many ways that you know about and many other ways that you cannot even comprehend. To go through a big experience can have such a profound impact on everything that you do. It's the common thing that everyone says about a tragedy - it is a really tough thing to happen but it is amazing, and a gift, if you can look at the positive aspects that come out and the friendships that are made from the people that provided help and support.
I think the reason being Ravi Shankar's daughter is not such a pressure to me is that I don't look at myself in that way. Of course, he's the best-known Indian musician there is so, people naturally look to me as the next one, but the truth is there are many other musicians out there as well as other students of my father's.
There is a lot of pressure on pop stars, and I think a lot of it is the pressure that we put on ourselves. In our minds, we build up these huge, huge standards that we think people want from us, and actually, when you break it down, people just want you to make music and perform to the best of your ability, but anxiety can stop you from doing that.
Being able to get a big body to change direction, I think that's huge. I don't think a lot of tight ends incorporate that enough. I got a lot of that from playing hockey when I was younger, being able to play on the inside and outside of skates, as well as on the basketball court, being able to put my foot into the ground and crossover.
I think the dance world is really hard, we put a lot of pressure on ourselves to look a certain way, and so that was a battle that I had to figure out for myself.
When I was 17, I was always hanging out with the older kids, and a lot of times, the kids that graduated would come back and play pranks. I was a huge, huge, huge prankster.
Once I came out in sports, I basically told myself, 'I'm coming out, officially. I wanted to be able to look in the mirror and tell myself that I was being true to me. I wanted to help the younger me, when I was a kid, give them somebody for them to look up to.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
I get a huge kick out of training people, out of helping people, out of just being a part of a process that I get to see people's dreams come true.
I always try and put out posts on social media about feeling good inside, and there's so much pressure for people to look a certain way and have a certain hairstyle or a certain lipstick.
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