A Quote by Jermaine O'Neal
I didn't come to Boston for any money.
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When you're a young kid and you come into the NHL, you're given money and fame, to an extent, especially in Boston.
I am not interesting in making money. I go to the most expensive restaurant in Boston to have dinner. It is where billionaires come to eat. Even if I become richer, I will still have to go there to eat. After some time, money doesn't make a difference.
I don't come from a lot of money. In fact, I don't come from any money.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. One was understanding and coping with anti-Semitism. Boston, at the time, was the most anti-Semitic city in the country. And I found out when I was an adolescent that you have to be crazy to go out after dark all by yourself; you'd get your head bashed in.
I started freelancing for Serious Eats while I was still living in Boston. I was born there, grew up in New York City, but went back to Boston for school, and then I lived in Boston for about ten years.
I can tell you that I can always recognize a Boston song, even if it's in a noisy place. I can hear that it's Boston even before I know what song it is. If a Boston song comes on in a club or somewhere, I notice that it's Boston, and the second thing I notice is what song it is.
The exercises I wholly condemn are dicing and carding, especially if you play for any great sum of money, or spend any time in them, or use to come to meetings in dicing-houses, where cheaters meet and cozen young gentlemen out of all their money.
It was when Boston invited us to do a parade one November, and I was the only [Star Wars] cast member skeptical of the willingness of people to come out to see us five actors drive by in antique cars in the Boston rain. Well, it was the first time I really understood the show's popularity.
I've come to Boston many times, my family has come here, and it's been great.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. That book had a number of sort of rites of passage for me.
In other places, especially in Boston, it's like a place where comedy gestates. People come out of there that are fantastic, but you have to come to New York or L.A. to quote unquote 'make it.'
If money doesn't come with misery, then it's not at all interesting and it's not at all fair. It seems if you have all this money, and no misery, you're really in a world of unalloyed happiness, and that seems to violate some deep principle of universal justice. We tend to live in a culture now where people have unbelievable, inconceivable amounts of money without any kind of remorse.
Education is the lifeline of the city of Boston in a lot of ways, as far as preparing and educating young people for the future. So when we think about that - I would love to have the $25 million dollar investment we made up to close the gap on charter schools. I'd love to make that investment in a different part of the school system if we could. The money that we're trying to adjust on transportation, I would love to, if we can save money in transportation - that's not going to be a savings, that's going to come into the general fund, that's going to be reinvested in the school.
I?'d love to see Sting come back. The guys that had the potential to make any money and draw any money, they came. The ones that made it, made it, and the ones that didn?'t, didn?'t. The list of those who made it, there?s lots? the list of those who didn'?t make it are longer then the ones who did.
All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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