A Quote by Jermanne Perry

If you're not the hero of your talent story, you simply become a player in one you didn't choose. — © Jermanne Perry
If you're not the hero of your talent story, you simply become a player in one you didn't choose.
There is only one way out of the trap: that you don`t choose; neither this nor that - you simply don`t choose. You withdraw from choice and you become choiceless. Choicelessness is freedom. To choose is to choose a prison; to choose is to choose a bondage. To choose is wrong, to be choiceless is to be right.
Be careful who you choose as your hero or who you choose to deify, be it Clay Aiken or Barack Obama. You put all you're hope and all your dreams and all your ideas about stuff into one human being. They're a human being they're going to let you down. You can't make someone your hero because of something you read on the internet. The internet is not a source of information it is a source of disinformation.
The theme you choose may change or simply elude you, but being your own story means you can always choose the tone. It also means that you can invent the language to say who are you and what you mean.
To become a good player, you need talent. To become a great player, you need an attitude like Kohli.
Fighting is necessary in hockey. But if you fight, you have to choose your partner carefully. If you're an experienced player and you want to fight, you can't choose a player who has never fought in his life.
But to me, the most important page in my daughter's book is the last one - because it's blank. It says, "Your Hero's Photo Here," and, "Your Hero's Story Here."
But to me, the most important page in my daughter's book is the last one - because it's blank. It says 'Your Hero's Photo Here,' and 'Your Hero's Story Here.'
The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
There are two wrong reactions to a rejection slip: deciding it's a final judgment on your story and/or talent, and deciding it's no judgment on your story and/or talent.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
You’ve got to be uncomfortable and rise to different occasions in order to become your best. No one is born a hero, but things happen and your response makes you a hero. It’s instinctual, it’s something that you may not even realize is there.
You know, we're each the hero of our own story and we perceive what's going on around us, and especially in a relationship, from the kind of viewpoint of, 'Well, this is my story, and I'm the hero of that, and I justify what I do around it.'
So many misconceptions surround the notion of heroism. Far too many categorize a hero as a champion on the battlefield, a commander of legions, a master of rare talent or ability. Granted, there have been heroes who fit those descriptions. But many men of great evil as well. Heed me. A hero sacrifices for the greater good. A hero is true to his or her conscience. In short, heroism means doing the right thing regardless of the consequences. Although any person could fit that description, very few do. Choose this day to be one of them." (Beyonders - A World Without Heroes)
When you choose your profession, you also choose your own downfall or success. If one chooses to become an artist it is 99% certain that it will go to hell. So you should not become that. If you study economics on Oslo, 99% of all students will do very well and 1% will reach the top.
Your story may not have such a happy beginning, but that doesn't make you who you are. It is the rest of your story, who you choose to be.
Every good story needs a hero. Back when I wrote 'The Search,' that hero was Google - the book wasn't about Google alone, but Google's narrative worked to drive the entire story.
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