A Quote by Jerome Boateng

Of course every manager has a different mentality, different philosophy. — © Jerome Boateng
Of course every manager has a different mentality, different philosophy.
I think hitting is more a mentality than a philosophy. A philosophy is somebody telling you the way they think it should be. Well, different people believe in different things. My thing is this: Be ready to hit.
Every artist is different - the pop mentality is different than bands for me, because I'm playing a lot of the instruments.
Every fighter has a different agenda. Every promoter has a different agenda for their fighter. Every manager has a different agenda. So things change all the time.
I was never a nightclub manager or a hostess. I want to make that very clear. I was an executive at my club. I was a director of VIP operations, that's much different than a manager, that's much different than a waitress, it's different than, you know, a host - I was like an executive-level position
I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.
Moving out and living on my own was a big thing, but to be in a different country with different coaches and a different mentality changed me as a person, as a player, the way I think about things and the way I see people.
We have to go into every game with the same mentality as we have for Liverpool. It can be different playing against Burnley to Liverpool. I understand for the fans it's different but, for us, it can't be because the result we want is the same and nothing else.
I do think that philosophy and science are very different intellectual enterprises, but that does not mean that when we get knowledge from philosophy it is a different kind of knowledge.
Every single time when you act in a film, and there's a different director, which of course as actors we're used to experiencing that's what we do, it's a different experience.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
I grew up in a household that really encouraged reading and writing. My mother loves philosophy and is constantly reading philosophy and talking to me about different philosophers and different ways of life.
I've always known that I have a different mentality. I can move in different ways and that's for people to realize.
Of course the female experience is different from those of our male peers - just like every woman's story is different from their fellow females.
Everybody's different and every person is different and every actor's different and everybody has different wants and needs, but I'm a kid who loved comic books my whole life.
It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.
I think every year that comes, comes with different games, different kinds of players, different coaches and different philosophies, I know that.
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