A Quote by Jerome Flynn
If you can walk into a set and feel the reality of it, then immediately you're not having to work to bring yourself into the character.
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The most important thing you can do as an actor is bring as much of yourself to the character to ground the character in some sort of reality, and then you build around it and on top of it.
When you walk on the set, whatever it is, you commit yourself to the job. You're committing yourself to doing the best you can do with it, no matter what you feel about it, and that never changes.
I feel I do my best work when it's all there on the page, and I feel that the character is very vivid as I read the script and I'm not having to create stuff and trying to cobble together something. If I have to do that, then I don't entirely trust what I'm doing.
I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.
1. Stress improvement, not perfection (or winning). 2. Don't take yourself too seriously; laugh at yourself and have fun. 3. Set attainable goals; reach them and then set higher ones. 4. Be positive, walk tall, smile often, don't complain or procrastinate. 5. Prepare purposely, but don't overtrain. 6. Remember- Sports is a game and meant to be enjoyable.
One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
Give yourself permission to immediately walk away from anything that gives you bad vibes. there is no need to explain or make sense of it. just trust what you feel.
Whichever work you do, people go through life having several priorities. I know my football is what got me here. The work I do for SOS or my charity work in general has always been a priority for me, and then my family is a priority as well, so you set yourself different things, and they just balance each other out.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
Usually when I work, I'm totally dedicated to the role, and when I leave the set, I bring some of my character home with me, but I can't bring anyone home with me now because my son would freak out.
While you're going through this process of trying to find the satisfaction in your work, pretend you feel satisfied. Tell yourself you had a good day. Walk through the corridors with a smile rather than a scowl. Your positive energy will radiate. If you act like you're having fun, you'll find you are having fun.
If I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
The clothes, the shoes, the gold belts and the necklaces always click me into the character, for sure. You could not feel the character, and then you put on the shoes and get the walk.
There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down.
When you play a character, you bring yourself into the character. You get a chance to shine and show your translation for the character and her state of mind.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
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