A Quote by Jerome Hines
We are facing a generation of young singers who are much more diminutive in their approach to singing.
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My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
Establishing a style is important, it really is, but a lot of singers get so involved with their instrument, and more so than they do in what they're singing. I think you really have to think about what you're singing. You have to make the public believe what you're singing. And in order to do that, you have to believe it.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
The preoccupations of young women-their looks, their clothes, their social life-don't seem to change much from generation to generation. But in every generation there are a few that make others choices.
Now, it is much more difficult for young people coming to New York. But also when you're young, you have more time to interact with one another, to discover yourself with people of your generation.
In a lot of African music, the singers are just singing whatever they feel at the time - because the instrumentation is repetitive, they can come and go as they please. That's how we approach it. Not verse-chorus-verse.
There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.
I remember when I got into movies, the only way singers could be heard was to through playback singing in movies. Then gradually came the music companies promoting independent pop singers.
I think what you have to realise is that our generation is the first generation since its sexual awakening has come into the world and realised that sex can mean, ultimately, death. That has had a very serious effect on social morals and on the way people deal with each other. As we approach the millennium, people are getting more and more confused and contact is getting more and more sanitised, so there's a lot more mental games being played.
Singing doesn't have to mean that you sound like Stevie Wonder. I love to sing. I'm not the greatest singer in the world. But, a lot of my favorite singers aren't the greatest singers in the world.
In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
When you're young, you get by on charm and good looks, not that I miss being charming or good-looking, but then you start to understand things about life, about the craft of acting. You approach it a different way. It's much more fun now than it was, because you take more chances and risks. I enjoy acting now more than when I was young.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
We ought to approach this challenge [of global warming] with a sense of profound joy and gratitude: that we are the generation about which, a thousand years from now, philharmonic orchestras and poets and singers will celebrate by saying, they were the ones that found it within themselves to solve this crisis and lay the basis for a bright and optimistic human future.
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