A Quote by Jerome K. Jerome
I respect the truth too much to drag it out on every occasion.
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I have too much respect for the truth to drag it out on every trifling occasion.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
Truth is a demure lady, much too ladylike to knock you on your head and drag you to her cave. She is there, but people must want her, and seek her out.
Stupidity is active in every direction, and can dress up in all the clothes of truth. Truth, on the other hand, has for every occasion only one dress and one path, and is always at a disadvantage.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.
I've been lucky to find people who want to work with me, whom I respect and like, but the truth is there aren't that many good projects out there. And we make way, way too many movies. So it's not always going to happen with every project. But I try and wait it out.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I think every city and every drag queen has a different aesthetic or set up, but in the end, it's mutual respect for one another.
It used to be that I'd do drag, then get out of drag, and try and be as much of a boy as possible. That didn't feel entirely authentic for me, but it felt like what I had to do at the time.
I have a sense of respect: respect for my suppliers, respect for the staff, respect for the customer - as long as they respect us. When we have a customer who is playing a provocative, disrespectful game, then we just prefer to just throw him out, rather than deal with it. Some people, sometimes, are unhappy themselves. And that can really create a frustrating performance to us and to the staff and all that. I don't throw customers out as much as I used to. In the old days, "You don't like it? Get out!" I'm much nicer now.
It might be that women who have beennurses should not marry physicians. They have too much respect for physicians, are taughtto have too much respect
I consider myself an artist, but instead of paint or clay, my medium is drag. I put so much of myself into my drag from every detail of the costume, makeup and hair to my performance, the way I speak or even stand.
I love being alive so much. When you come out of comas in your childhood, every moment awake is a joyous occasion.
What people think about you is not supposed to matter much, so long as you yourself know where the truth lies; but I have found out, as have others who move in and out of newspaper headlines, that on occasion it can matter a good deal. For once you enter the world of headlines you learn there is not one truth but two: the one which you know from the facts; and the one which the public, or at any rate a highly imaginative part of the public, acquires by osmosis.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
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