A Quote by Jerome K. Jerome

I love the chill October days, when the brown leaves lie thick and sodden underneath your feet. — © Jerome K. Jerome
I love the chill October days, when the brown leaves lie thick and sodden underneath your feet.
I love the chill October days, when the brown leaves lie thick and sodden underneath your feet ... the evenings in late autumn time, when the white mist creeps across the fields, making it seem as though old Earth, feeling the night air cold to its poor bones, were drawing ghostly bedclothes round its withered limbs.
Race is a lie built on a lie. The first lie is that people are different, somehow skin color or hair texture is more significant than eye color, or the shape of one's feet. The second lie built on top of that is that there's a hierarchy that more significant difference, the color showing up as brown on your skin rather than brown in your hair, or whatever, is somehow more significant and there's some sort of hierarchy. That the lighter you are, the straighter your hair, the better you are.
O'er hill and field October's glories fade; O'er hill and field the blackbirds southward fly; The brown leaves rustle down the forest glade, Where naked branches make a fitful shade, And the lost blooms of Autumn withered lie.
Isn?t it strange some people make You feel so tired inside, Your thoughts begin to shrivel up Like leaves all brown and dried!But when you?re with some other ones It?s stranger still to find Your thought as thick as fireflies All shiny in your mind!
October is the month for painted leaves. Their rich glow now flashes round the world. As fruits and leaves and the day itself acquire a bright tint just before they fall, so the year near its setting. October is its sunset sky; November the later twilight.
The piano is an instrument that can easily sound overly thick, and I love to think that I can work with textures - particularly the inner textures inside the melody or the bass line. There is an analogy there with painting; I love paintings where you see colour underneath the colour and, underneath that, more texture and shape.
Sweet love, sweet thorn, when lightly to my heart. I took your thrust, whereby I since am slain, And I lie disheveled in the grass apart, A sodden thing bedrenched by tears and rain.
In the entire circle of the year there are no days so delightful as those of a fine October, when the trees are bare to the mild heavens, and the red leaves bestrew the road, and you can feel the breath of winter, morning and evening - no days so calm, so tenderly solemn, and with such a reverent meekness in the air.
So laugh, lads, and quaff, lads, twill make you stout and hale; through all my days, I'll sing the praise of brown October ale.
Feel the energy of your inner body. Immediately mental noise slows down or ceases. Feel it in your hands, your feet, your abdomen, your chest. Feel the life that you are, the life that animates the body. The body then becomes a doorway, so to speak, into a deeper sense of aliveness underneath the fluctuating emotions and underneath your thinking.
If the October days were a cordial like the sub-acids of fruit, these are a tonic like the wine of iron. Drink deep or be careful how you taste this December vintage. The first sip may chill, but a full draught warms and invigorates.
Keep your feet on the ground, but let your heart soar as high as it will. Refuse to be average or to surrender to the chill of your spiritual environment.
Kicking leaves you momentarily on one foot, and for that moment you are in a very weak position. If you were to be swept off your feet, you would be finished. This is why lifting your feet off the ground is crazy.
October, baptize me with leaves! Swaddle me in corduroy and nurse me with split pea soup. October, tuck tiny candy bars in my pockets and carve my smile into a thousand pumpkins. O autumn! O teakettle! O grace!
To know yourself as the Being underneath the thinker, the stillness underneath the mental noise, the love and joy underneath the pain, is freedom, salvation, enlightenment.
Every spirit passing through the world fingers the tangible and mars the mutable and finally has come to look and not to buy. So shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves and then drops them all in a heap at the side of the house and goes on.
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