A Quote by Jerome Kern

Irving Berlin has no place in American music. He is American music. Emotionally, he honestly absorbs the vibrations emanating from the people, manners and life of his time and, in turn, gives these impressions back to the world -- simplified, clarified and glorified.
Irving Berlin has no place in American music -- he is American music.
Irving Berlin was the greatest songwriter of all time. I was in awe of him. But his music wasn't my music. My music was the blues.
The music changed. We had Irving Berlin and Gershwin and Lerner and Loewe and Cole Porter. Great music. Now we have 'Rent.'
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
You know, jazz is the mother of all American music. R&B and pop and rap and everything are the branches on the main tree of the life of music, American music, which is jazz.
It's a really unfair world because life is, where I am; all day long we listen to American music. So I don't see why the radios in the U.S. cannot even put aside one hour a day just to play music that is not American.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
Foreigners have a complex set of associations in their minds when they think of America - from Iraq to 9/11, certainly, but also from Coke to jeans. It is entirely possible for people around the world to love American products, American books, American movies, American music, and dislike the policies of the government of America.
Copland was one of the first American composers to forge a truly modern style of American classical music while also making use of American popular music - including jazz.
Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'
Music is sound, vibrations, whereas paintings are vibrations of whatever you pick up. It's not actually an energy vibration you get from a groovy painting, but music and sound seem to travel along vibrations, you know the whole thing with mantras is to repeat and repeat those sounds... it's vibrations in everything like prayers and hymns.
I love old-time music, I love country music and I love the American music that we have to offer the world. And any part of that is fine with me, as long as it's pure.
There was always a lot of American music in England until, obviously when the Beatles came around, then there was a shift towards English music, but before then American music was the main thing...
There was always a lot of American music in England until, obviously when the Beatles came around, then there was a shift towards English music, but before then American music was the main thing.
I grew up watching American films, listening to American music, and it's a big contribution to the rest of the world. I mean, American jazz, for me, is the best thing culturally that America has produced.
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