A Quote by Jerome Lawrence
Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.
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It may be unfathomable in architecture, but it is very practical, or routine, for a person in theater to use action. You have the line, "Come home, son," but you can't play that line by going out and being a mother; you can't be a noun. But you can play to smother your son; you can play to grovel to your son. Again, the real information is carried in action. And, to an annoying degree, theater people talk to each other in infinitive expressions. If you don't have a vivid verb to describe what you're doing, you're probably going to be a pretty bad actress.
Understanding the intentions of a play is so key because you can block a guy into the running back if you don't know how the play is supposed to work or where the back is going to come out.
People always get what they want. But there is a price for everything. Failures are either those who do not know what they want or are not prepared to pay the price asked them. The price varies from individual to individual. Some get things at bargain-sale prices, others only at famine prices. But it is no use grumbling. Whatever price you are asked, you must pay.
When you come back strong, you are going to have little nagging things that you can usually play through, but every now and again, it is to the point where you can't play.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
Someone once said that taxes are the price we pay for civilization. That may have been true when he said it, but today taxes are mostly the price we pay so that politicians can play Santa Claus and get reelected.
If they want me I'd love to come back. I'm not going to play because I can, I'm going to play because I deserve it.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
We're going to play our game and we're going to come back and we're going to play Montreal or Tampa.
I don't want to play the same character again and again, because I'd get bored. If I get bored, so will the audience.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
We've always had a philosophy at Spurs to play out from the back, to play with style, to play out from the back and that's the way I've always been brought up and to come into the first team is no different.
Most of us fill up our lives and end our boredom with our involvement with other people - people we love, people we hate, people we're afraid of, people we're interested in - and that's what keeps our minds going. So if you're sociopathic and you really have no caring for anybody, there's not much left, only boredom, and the way to relieve that, apparently, is to play a game and make sure that you win.
You're never happy with a tie you're trying to win. The reality is we have to come back and play tomorrow, and whatever the outcome tomorrow is, we have to come back and play again.
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