A Quote by Jerrod Carmichael
A lot of times, us within the industry, we can put this bubble around ourselves and create what a show is supposed to look like and sound like, and we're seeing so much content. The best compliment is, 'I finally found something to watch with my family,' or, 'This is how I really feel, and I can't believe they're showing this on television.'
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I read a lot, and I watch a lot of TV and film now. That's my homework. Like I said, my Netflix. I've watched Aliens a couple times this week, Dawn Of The Dead. And that's what's really cool too. It's nostalgia, because I saw these shows, these movies, a lot of them, when I was a kid, and they're different now when you watch them. I'm like, "Wow, I can't believe my family let me watch that," and "I must have missed that the first time around."
I want someone to be able to say, 'I relate to this person on The Five.' You feel like you belong. You kind of feel like it's family. They feel like they know us because we reveal so much about ourselves on the show.
What I don't like so much is people who - how do you say this? - who make judgments over the genre of reality like it's television from the devil, and that's something that I don't like because I think everybody should watch what they like. It's a free world. It's a form of democracy. If you like it, watch. If you don't like it, don't watch.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
If you take the fashion out of it, clothing has a lot of information - about how we feel about ourselves, how we'd like to feel about ourselves, and what we'd like to be: If you show up to an interview in sweatpants and a T-shirt, I'm going to deal with you in a really different way.
What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.
I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.
Acceptance. We want someone to look at us, and really see us—our physical flaws, our personality quirks, our insecurities. And we want them to be okay with every square inch of who we are. We’re always afraid we might be too needy or too much work. We put all these limitations on ourselves and our relationships because we’re afraid that we’re not really loved. That we’re not really accepted. We hide little pieces of ourselves because we think that might be the one thing that finally drives away the person who’s supposed to love us.
In all the characters I play, not matter how, it's like as if there is something within me that's released. I also show my best ability and put in my best efforts.
I think it's important for us to allow ourselves to be in creative bubble when you really need to finish something. You can always re enter the world after, once you feel like you're done with it.
I don't watch much television. My old TV agent used to always get mad at me because he'd send me out on auditions and I'd be like, 'What's this show?' and he'd be like, 'It's literally the top show on television.' I wasn't allowed to watch TV as a kid.
I guess in my own life I don't really think much about manliness too much. I feel like a lot of men that I know don't sit around thinking, "How am I supposed to be a man?" I don't think that I have to prove anything.
A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.
I'm happy doing stand-up, but I'll probably do a television show eventually. If not, I'll delve into this Internet world and decide best how to harness it. What I like best about it is the independent movie style and the ability to just be completely reckless within that world. I like that a lot. I just have to acquaint myself with technology.
I don't want to follow the map of what the music industry does because I've already lived the industry and I still live the industry so I already understand how it works. The industry doesn't really like us around anyway once we get older because we know too much so, that's fine - cut us off - and we'll find another way to get it out there.
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