A Quote by Jerry Bruckheimer
I just don't know what makes a movie catch on and other ones don't.
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You know what makes your heart swift, you know what makes your breath catch your throat, you know what makes your chest tight with anticipation. Go get that!
If I knew what makes a movie catch on then I'd make hit after hit.
Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.
Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.
I've tried to put myself in every position possible to be able to catch the football. Until you challenge yourself at a particular catch, or a particular area of the field to make a particular catch, you would never know if you can make that catch.
'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
I don’t know if I’d do an action movie because I don’t know if I could keep a straight face honestly, I just think it’s so silly. Like I love watching them but I can’t imagine me doing one. Actually, you know what I’ve done, just for fun because I didn’t think there was any way that I could be in a superhero movie, so I’ve done a scene in the new “Thor” movie, just for that. I just do like one scene, which was quite fun.
I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.
I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.
And I know that this is prophetic: that God is going to send this mighty wave - I want everyone here to prophecy with me in Lakeland - that this mighty wave is going all the way out to California, Highway 40, coast to coast aaaaah! and we want to release that mighty Holy Ghost in. Send it all over the world. The wave is moving. The wave is moving the wave is. Come on! Catch the wave. Catch the wave in Canada. Catch it in Canada. Catch it in Australia. Catch it in England. Catch it in Asia. Catch it in Europe. Catch it all over the world.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
The Movie is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.
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