A Quote by Jerry Cantrell

Every record, you've got more experiences to draw on as a writer and a musician. — © Jerry Cantrell
Every record, you've got more experiences to draw on as a writer and a musician.
I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.
I didn't really think I would be a musician. I always thought I'd be a writer. I wanted to be a writer in college, but I thought I could be a better musician. I loved the process of writing music and lyrics more than I loved the process of sitting at my computer and writing. Because of that, I thought I would be a better musician than a writer.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
Kickstarter is such an amazing platform, it really is. It's something great for independent artists of all kinds because every musician and every artist needs help to produce the record, make the record. It's like the modern day patronage. It's turning to your direct fan. It's a good motivator too.
A painter's got a canvas. The writer's got reams of empty paper. A musician has silence.
I was always interested in being a writer. Yet, at the time, it somehow seemed more unfeasible to be a writer than a musician.
Practice like good musician; draw every day.
Everything around a writer, or musician in the record business, probably everything in all the United States or in all of western civilization, is about competition.
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
The writers who reject tendentiousness and purpose in their work are the very ones who display it in every word they write. I could draw countless examples from the history of literature to show that the more a writer clamours for spiritual freedom, the more tendentious his work is liable to be.
Virtually every writer I know would rather be a musician.
That said, everything's important, and every musician who plays on the record is an integral part of it.
What I do is I basically make records to please myself first and foremost, and so one of the most important things for me as a musician and a writer and a producer is to feel like there's always a sense of evolution and reinvention with each record.
The wonderful thing about being an American writer is you've got this vastness to draw from.
I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.
The writer's genetic inheritance and her or his experiences shape the writer into a unique individual, and it is this uniqueness that is the writer's only stuff for sale.
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