A Quote by Jerry Cantrell

Playing for someone else's crowd is always difficult for any band. — © Jerry Cantrell
Playing for someone else's crowd is always difficult for any band.
The rock-band crowd is so different from any other crowd. Because when they are there to see they band, they there to see they band.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
I don't think you can hold someone accountable for trampling someone else, because that person was probably pushed from behind. But if someone picks your pocket in a crowd, it's no different from any other act of that kind, in another situation.
The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.
The band can't exist without the crowd, and the crowd wouldn't be there if it wasn't for the band, and it really is something magical that people need.
I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.
When you're in a band, inevitably, someone is siding with someone else, and you're fighting over something that happened in the band five years ago.
When people ask if I have any advice for young designers, the best advice I could ever give to somebody is to work for someone else, when you are playing with someone else's money. It is very expensive when you start doing it on your own.
I've grown up playing pop music for the experimental crowd and I always feel like I'm pushing something weird on people. I had this underdog feeling. It's crazy that all of a sudden I'm the overhyped band you read about on the blogs.
I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
People always say to me, 'It must be so much pressure and so difficult playing out there in front of 60,000 people.' I always say, 'No, not really.' Playing football and earning great money isn't difficult. Working three jobs and raising kids alone, which is what my Mum did. That's difficult.
I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. Ive always really loved playing a part, playing a character and being someone else.
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
Back in the day, when the D.J. would be playing a record, Id be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that thats the role that I wanted to take on. I wanted to be the one that was hyping, because Ive always been good at it. I can hype up any crowd.
I even found it difficult to watch myself playing on TV because I couldn't identify with the person on the screen. I couldn't get to grips with it. It was as if it was all happening to someone else.
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