A Quote by Jerry Coleman

I don't know about Willie Davis. He's not as young as he used to be. — © Jerry Coleman
I don't know about Willie Davis. He's not as young as he used to be.
I want to establish myself as the first Eric Davis, not the next Willie Mays.
I am a music freak. My tastes run the gamut from Willie Nelson to Metallica to Miles Davis.
No one cares about the Davis Cup. How many people know I won five Davis Cups and seven majors, but that I rarely played the Australian Open?
If you want to know who was better, me or Willie Mays, you have to look at our career stats. And Willie's bottom line was better.
I know Charles Michael Davis. I used to play poker with him when I lived in Los Angeles.
Leo Durocher was our manager and he brought Willie up to me and said, 'This is Willie Mays and he's your new roommate.' You could see right away that this young man was a natural. He had those real big hands, great power and speed and would catch everything hit in his direction. He's the best center fielder that ever lived, no question.
My family have always supported my rap - and they know I love them when I rap about them - but I'm just Michael Jackson to them. They care more about me. I express my love for them in a much more personal way on this record. It's about our conversations; my fear, and their advice. I know my sisters are gonna hear "Willie Burke Sherwood", which is named for my grandfather, and cry. I used to do music for me, because my ego needed it, but now I'm doing music for my family and friends who helped me become a rapper.
Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.
Think of the question of mass incarceration. Think of the coding that the Republican Party has used for years, whether they're talking about Obama or blacks or Willie Horton.
I was trying to land an 18-year-old strapping first baseman from Blanco, Texas, population 200. His name was Willie Upshaw. It turned out there were only three scouts who knew about Willie - Dave Yocum and I working for the Yankees, and Al LaMacchia from the Atlanta Braves.
Prince, you never knew what to expect from him from one album to the next. Miles Davis was like that. You know, once you get used to one style, boom, he switched it and, you know, switched gears on you. So those artists are very exciting to me, very exciting to follow their path, you know, and their journey.
These days, most of my interactions with young people are centered on the poetry or theater classes I teach, so the students I know are reading contemporary poets (they love Willie Perdomo) and scripts (No Child, by Nilaja Sun and Twilight by Anna Deavere Smith). I don't know their reading habits outside of our class, but I believe that they enjoy stories that they can relate to, learn from, be challenged by - you know, the usual good writing that every reader craves.
When George Bush used the Willie Horton ad, he knew what he was doing.
I wanted to work towards the four majors and the Davis Cup. I know to a lot of people it may not mean too much, but to me (Davis Cup) means an awful lot.
I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
I used to dream I used to glance beyond the stars Now I don't know where we are although I know we've drifted far What about yesterday What about the seas The heavens are falling down I can't even breathe What about the bleeding Earth Can't we feel its wounds What about nature's worth? It's our planet's womb.
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