A Quote by Jerry Ferrara

I know it sounds very typical to say, but the best part of being an actor, and the reason why I think a lot of actors do it, is that it's always changing. You get to play so many things that it's like you've had so many different careers.
Being an actor: that's a pretty big net. That's a big playing field. The Screen Actors' Guild is filled with many, many, many, many people and vastly different careers.
There is a reason that both have had the longevity in their careers that they have had. They have each done very different things throughout their careers and lived really interesting lives. There is a reason why they are up there still. After all, there is only one Barbra Streisand and one Liza Minnelli.
The reason I play so many sounds, maybe it sounds angry, is because I'm trying so many things at one time, you see? I haven't sorted them out. I have a whole bag of things that I'm trying to work through and get the one essential.
I had - like a cat with nine lives, I've had so many different careers and tried so many different things.
One of the occupational hazards of being an actor, the reason why so many actors are insecure, is that the only way we know we're good is when other people tell us.
Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters. So it's just that - getting to have more of these singular little adventures where you get to be a part of a completely different world.
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
Here I come to one of the memoir writer's difficulties -- one of the reasons why, though I read so many, so many are failures. They leave out the person to whom things happened. The reason is that it is so difficult to describe any human being. So they say: 'This is what happened'; but they do not say what the person was like to whom it happened. And the events mean very little unless we know first to whom they happened.
Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.
All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
I had many different careers early on. I knew I wanted to be a writer. But, like so many people, I didn't know how to be one - other than just do it. I didn't know what form it would take.
I think there's so much to play in adolescence; there's so many conflicting things happening and so many changes, and there's just a lot of good stuff to play there as an actor.
As a Japanese actor, I really want to work with a lot of actors and actresses in the world and many directors who have many different kinds of talents. I feel like nationally doesn't matter at all.
My whole M.O. in my 20s was being in as many different types of films as you can. Working with as many different types of directors as you can. I think, in part, that's what I wanted to do as an actor.
Many actors want to play Hamlet and Macbeth. Ever since I became an actor, from the very beginning I just wanted to play a Shetland pony. I cannot explain why
Actors I admire? Ed Harris, or course, I think he's terrific; because I know he always had to fight being what he looked like a lot, but I think he's a terrific actor.
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