A Quote by Jerry Ferrara

Any actor who is being honest will admit there's always a small or large part of the real you in every character. It's impossible not to have that. — © Jerry Ferrara
Any actor who is being honest will admit there's always a small or large part of the real you in every character. It's impossible not to have that.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
Neither is there a smallest part of what is small, but there is always a smaller (for it is impossible that what is should cease to be). Likewise there is always something larger than what is large.
As any actor will tell you, the hardest thing to do is small parts, because you focus all your attention and concentration on that small part. When you're playing the lead part, you don't have time to think about the whole of it, so you just have to steam on and get on with it.
When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.
From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.
I think every actor tries to put a little bit of themselves into each character, and I think if you watch very closely, every actor has a bit of himself in every role whether they want to admit it or not.
It was about bringing integrity to everything I would do, no matter how small or large the part was. With every audition, I would bring that integrity, so if I didn't get the part it didn't matter to me, because I did the best job I could possibly do. I always walked away feeling like I accomplished something real, no matter what.
An essential part of any successful action on the part of the United States is an understanding on the part of the people of America of the character of the problem and the remedies to be applied. ... It is virtually impossible at this distance merely by reading, or listening, or even seeing photographs or motion pictures, to grasp at all the real significance of the situation. And yet the whole world of the future hangs on a proper judgment.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
Part of an actor's job is to actually adopt the world-view of the character she is playing and to tell the story from that vantage point. If an actor represses large aspects of their personality, they will have a severely limited range and castability. Great actors cultivate effortless access to their subpersonalities. Many acting teachers call this 'freeing your instrument.'
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it.
The most challenging part of being an actor is that every time you play a character, you have to start from ground zero.
Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.
Every part I play is just a variant of my own personality. No real character actor, of course, just me.
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