A Quote by Jerry Fodor

I take it that computational processes are both symbolic and formal. They are symbolic because they are defined over representations, and they are formal because they apply to representations, in virtue of (roughly) the syntax of the representations.
Humans invent an imaginary lover and put that mask over the face of the body in their bed. That is the tragedy of language my friend. Those who know each other only through symbolic representations are forced to imagine each other. And because their imagination is imperfect, they are often wrong.
Our knowledge springs from two fundamental sources of the mind; the first is the capacity of receiving representations (receptivity for impressions), the second is the power of knowing an object through these representations (spontaneity [in the production] of concepts).
The danger of crippling thought, the danger of obstructing the formation of the public mind by specially suppressing ... representations is far greater than any real danger that there is from such representations.
Religious representations are collective representations which express collective realities.
Performance's only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so, it becomes something other than performance.
Our imagination and reasoning powers facilitate anxiety; the anxious feeling is precipitated not by an absolute impending threat-such as the worry about an examination, a speech, travel-but rather by the symbolic and often unconscious representations.
All of the systems that present different worlds, planes of being and energy centers ultimately fail if you try to make them all-inclusive. They are symbolic representations of something that lies beyond the world of thought and analysis.
There is no beginning and there is no end. Nothing is final. There is no absolute. There is no highest point, nor is there a lowest point. These configurations are ideas. Ideas are primitive constructs, symbolic representations, reflections in a mirror.
Kitsch makes things that are pretty as representations, but ugly as art, modern artists made things that are ugly as representations but beautiful as art.
[M]any people would accept that we do not really have knowledge of the world; we have knowledge only of our representations of the world. Yet we seem condemned by our consitution to treat these representations as if they were the world, for our everyday experience feels as if it were of a given and immediate world.
We surely stand at the threshold of a great adventure of the human spiritó a new synthesis of knowledge, a potential integration of art and science, a deeper grasp of human psychology, a deepening of the symbolic representations of our existence and feelings as given in religion and culture, the formation of an international order based on cooperation and nonviolent competition. It seems not too much to hope for these things.
Unlike the United Kingdom or the Commonwealth, the umma, or Muslim community, has no symbolic leader, let alone a formal one.
In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.
The issue of who gets to define the future, own the nation's wealth, shape the parameters of the social state, control the globe's resources, and create a formative culture for producing engaged and socially responsible citizens is no longer a rhetorical issue, but offers up new categories for defining how matters of representations, education, economic justice, and politics are to be defined and fought over. At stake here is the need for both a language of critique and possibility.
Formal symbolic representation of qualitative entities is doomed to its rightful place of minor significance in a world where flowers and beautiful women abound.
I'm no mathematician, so I'm stuck with the graphic representations.
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